When two old prospectors find gold dust in the fur of their Airedale they dream of big riches. But soon greed threatens to tear them apart until a ghost reminds them the value of friendship.
A princess and a hunter. An iconographic journey immersed in Lusitanian fantasy.
Berlin, 1934. Many men are forced to live their hidden homosexuality. Erich, a photographer, has an appointment in his photo studio with Wolfgang, a Nazi soldier, with whom he shares a loving, tumultuous, and passionate relationship. For both of them, this should not be a problem, but appearances deceive.
An old man, his dog and a chance meeting. Who said nothing ever happens On Sunday.
In the translucent LA dusk we discover four women living very different lives. The camera follows each as they wind down their working days, their four stories weaving together as each prepares for their evening.
A storm is on the horizon. When a jet-black cloud engulfs a small village, the residents discover that it could put an end to more than just blue skies.
The cat and mouse are in their usual game of chase-and-pursue until the mouse hides in a pickled-herring barrel. The cat gets intoxicated from inhaling the fumes and immediately becomes the mouse's newest best friend. He defends the mouse from a mean alley cat, and the mouse invites him to come home with him. There, the mouse takes care of him and sobers him up, and the cat immediately begins to chase him again. He reaches the barrel again and regains his newest best friend. Charlie Chaplin deserves an (uncredited) story listing.
Andrea (4) and Marina (6) become fast friends while playing on the rooftops of their adjacent buildings during the pandemic in Mexico City. They cling to their precious friendship during the stress and loneliness of confinement. When Marina's parents separate suddenly, however, Marina is heartbroken to have to move away without being able to say goodbye to Andrea, who is equally heartsick until she unexpectedly finds a remnant of their friendship.
"Nomeolvides" ("Forget-me-nots") by Miguel Berzal de Miguel is a short film awarded, nominated or part of International Film Festivals like HollyShorts Film Festival, Palm Springs International Film Festival or Dumbo Film Festival. Music by Javier Berzal de Miguel. Cast: Silvia Espigado, Elena Caricol, Lola Casamayor, Antonio Canal, María Esteve, Miguel Herrán, Mayte Atarés, Nerea Rojo, Chema Moro, Juan Carlos Gandía and David Llorente.
An unexpected guest, severed family ties, friendships on the verge of ending. Before they completely drift apart; Ali, Büşra, Efe, and Güray find themselves in a spiral of loneliness at the collapse point of their personal lives.
Amsterdam
A Christmas postcard by Roberto Pérez Toledo with David Mora, Jonás Torres, Daniel Gestido and Eduardo Lupo.
As Emily struggles to fit in at home and at school, she discovers a small red puppy who is destined to become her best friend. When Clifford magically undergoes one heck of a growth spurt, becomes a gigantic dog and attracts the attention of a genetics company, Emily and her Uncle Casey have to fight the forces of greed as they go on the run across New York City. Along the way, Clifford affects the lives of everyone around him and teaches Emily and her uncle the true meaning of acceptance and unconditional love.
The stories of "Goldilocks" and "Little Red Riding Hood" collide with the world of jazz, resulting in three jiving bears and a jitterbugging Big Bad Wolf. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.
A jazz cartoon involving a "Fats Waller"-like cat who leaves the "Uncle Tomcat Mission" for the local jazz club. One of the “Censored 11” banned from TV syndication by United Artists in 1968 for racist stereotyping.
After being drafted to a pro track team, a midwestern young teen needs to decide between his future career and his dementia-ridden grandfather.
What appears to be a typical mother-son day in the park proves to be anything but typical.
Set in rural America a father discovers his young daughter dead of fever. Knowing her death was inevitable due to her illness; he is at first devastated but quickly realizes that he does not want his fragile wife to see that the girl has passed. While composing himself he decides to hide the girl in the barn so he may prepare his wife for dire news. But after approaching his wife in the kitchen he is unable to face her with the death of their child.
Mixes fiction and documentary to tell the story of Marc Helt and his first sexual experience with other men, as a healing ritual after a violent hate crime.
In the wake of a traumatic incident at a funeral, an aging widow is faced with a bizarre, impossible choice.