Flash projection from dutch visual artist Han Hoggerbrugge
A parable of man going through war & peace and finding unity in the end.
An abstract animation with a motif of a dragonfly, and a complex multi-exposure landscape of a field and a woman's naked body overlap.
TV adaptation of the novel "Twenty-Four Eyes", combining animation with a few live-action scenes.
The working-class Smiths change their initially sunny views on World War I after the five boys of the family witness the harsh reality of trench warfare.
Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.
An abstract, experimental, personal reappraisal of experiences and crises - the project was the result of an experiment.
The peaceful passage of daily life in the Pacific Ocean is upended in a flash on March 1, 1954, with the first American nuclear test at Bikini Atoll. The far-reaching fallout forever changes the lives of the ocean’s cheerful inhabitants.
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
A young glassworker-in-training living with his pacifist father finds his apprenticeship upended by an impending war and the arrival of an army colonel to their seaside town.
One day the animals become too colorful: war is constantly going on among the people. When Alois, the lion, learns that the 365th Peace Conference has just failed, the animals decide that it is high time to intervene: they call their own "animal" peace conference. With much courage and even more imagination, they develop a plan so that Frides can finally prevail among the people of the world ...
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
A burst of cheer and refreshment that it seems perfectly suited to a late July afternoon.
A person living in Liberty City goes to work, have some food & gets back home.
A war veteran tells his personal experience in “The War” to a psychiatrist, as a part of a social experiment. But nothing is as it seems…
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
A raccoon on a voxel boat talks about his job.
An abstract pursuit that leaves you gasping for breath.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.