Lichtmeß - Kino aus Leidenschaft

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

This short documentary captures the history and the current state of decay of the Cine Brasília: a movie theater founded in 1955 that became an important cultural fixture in the town of Carazinho, Brazil. In the 2010s, it turned into one of the last independent movie theaters in the brazilian south due to its steadfast owner, who refused to let his family business die out.

We are a conversation is a 2014 documentary directed by Alexis karpouzos and Spyros rasidakis and written by Alexis karpouzos exploring the unity of humanity, featuring poets from around the world, whose lives have been dedicated to explore the mysteries of life and existence.

The first filmmaker arrived in Equatorial Guinea in 1904. The last movie theatre closed in Malabo in the 1990s. In 2011, during the II African Film Festival of Equatorial Guinea, the Marfil Movie Theatre reopened its doors. Florencio, Ángel and Estrada tells us how cinema has been, and is still, present in their lives.

A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.

A documentary exploring the importance of revival cinema and 35mm exhibition - seen through the lens of the patrons of the New Beverly Cinema - a unique and independent revival cinema in Los Angeles.

Celebrating the splendor and grandeur of the great cinemas of the United States, built when movies were the acme of entertainment and the stories were larger than life, as were the venues designed to show them. The film also tracks the eventual decline of the palaces, through to today’s current preservation efforts. A tribute to America’s great art form and the great monuments created for audiences to enjoy them in.

A documentary short taking a look at the popular independent Enzian movie theater in Maitland, Florida.

Documentary about Finnish film theaters - about their past, disappearance and future. And at the same time universal story how cinema is undeniably connected with life.

A documentary film crew follows Bernie Rosenblum to the El Paso, Texas ranch where he worked in 1966 on what is arguably the worst movie of all time.

A short experimental documentary is filmed at the last drive-in movie theater in Los Angeles, located in a desolate area called the City of Industry. Floating within a backdrop of smokestacks, beacon towers and passing trains, dislocated Hollywood images filled with apocalyptic angst are re-framed and reflected through car windows and mirrors as the displacement of the radio broadcast soundtrack collides with the projections upon and surrounding the multiple screens. In VINELAND, the nocturnal landscape is seen as a border zone aglow with dreamlike illusions revealing overlapping realities at the intersection of nostalgia and alienation.

Gregory bikes his way through the streets of Manila and transports film reels from one theater to another giving “extra service” to its patrons. He lives with his grandfather whose dementia worries Gregory, but whose stories of local movies being friends with Rogelio dela Rosa, Carmen Rosales, Leopoldo Salcedo, and other film stars fill him with inspiration.

Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California.

DIARY OF A CO-WORKER is a 2005 feature film created in Saint Louis, Missouri, and largely shot on-location at the historic Hi-Pointe Theatre. An exploration of the adversity faced from all sides as a part of service-industry jobs, it follows the exploits of Morrison (Mort Burke, THE MINDY PROJECT, DRUNK HISTORY) as he navigates co-workers, bosses, and the general public among the daily tasks of movie theatre maintenance and his own sense of self-identity. DIARY OF A CO-WORKER was written and directed by Matt McLaughlin, features music by Kevin Buckley, and has a running time of 91 minutes. Viewer discretion is advised (for strong language and depictions of drug use)

Liam Liu unwittingly gets involved with a high school girl. He suddenly has to go to China after learning from his father that he has inherited his grandmother's home in Shanghai. He's not very appreciative of his Chinese roots and at first only wants to sell the house and get back to the U.S. as fast as possible. He gets a taste of the Chinese culture and ends up having some big decisions to make

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

During a robbery attempt at the local cinema-plex in 1977, Shawn Davis reflects on the last three years of his life. Movies, cars, girls, college, drugs and personal life-changing decisions.

Station Bonne Nouvelle

The story is set in the 1990s in a village and discusses the entry of globalization in there in a satirical manner. Vinayan is a young man, who works as an operator in Sreedevi Talkies, an old 'C' class cinema theatre. The owner of the theatre is Madhavan Nair, who is also the godfather of Vinayan. The effects of globalisation start reflecting in the functioning of the theatre.

High school seniors and best friends, Sonny and Duane, live in a dying Texas town. The handsome Duane is dating a local beauty, while Sonny is having an affair with the coach's wife. As graduation nears and both boys contemplate their futures, Duane eyes the army and Sonny takes over a local business. Each struggles to figure out if he can escape this dead-end town and build a better life somewhere else.