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Adolf Hitler faces himself and must come to terms with his infamous career in an imaginary post-war subterranean bunker where he reviews historical films, dictates his memoirs and encounters Eva Braun, Josef Goebbels, Hermann Göring and Sigmund Freud.

An abstract visual journey into the inner space where the primal urge for evil is born. Real footage transforms through distortion, light fields and organic motion into a pulsating, alien energy. Narrative dissolves into rhythm and transformation, revealing evil not as a character or action, but as an ancient, instinctive force slowly consuming reality.

On a psychedelic night, the protagonist speaks endlessly to his friends, friends we never hear. Beneath his loud, crude monologue, a different figure slowly emerges, someone who uses every word to push the world away. The film becomes an intimate journey into a mind that builds its own walls, only to lose itself within them.

Trapped between the glass of a television screen and a color bar test pattern, a hammer drifts under shifting gravity.

In CONTINUUM, the world, the workers within the world and the labor of making the film itself are equated through montage and a brilliantly concentrated filmic "painterliness." The result is an experimental film which is at the same time a document of propaganda in the sense that at its conclusion, one finds oneself closer to the science of the motion of society in its monumentality with streets, buildings, the building of them and the workers and their instruments, creating a constructivist poetry within the eyes.

Silent short film by Guy Sherwin as part of his Short Film series in which he captures everyday life, diary like subjects.

Uneven Steps charts the Butoh body as it moves, struggles and convulses in its tussle with pain. It moves to connect, yearning to dissolve its suffering, towards a newfound catharsis.

no matter what, i want to be next to you captures the filmmaker’s intimate experience as the primary caregiver of his mother, illuminating the daily routines and emotional labour involved as their bodies gradually yield to the march of time.

Colourful lines and geometric figures move and change to the notes of a disjointed Wilhelmus [Dutch national anthem]. As the film progresses the disjointed music finds its way back to the original and flowing performance of the national anthem. The colours and figures move simultaneously into the shape and the tricolour of the Dutch flag.

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

Stan Brakhage is a film maker whose work is shown mainly at film festivals. His work has been likened to poetry. Brakhage explains his techniques and his motivation.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

Exploring love's complexities, an experimental film captures a woman's brief yet significant journey, prompting her to break free and embrace newfound liberation

A study of water and fire.

Persona non grata

You and AI at the end of the world.

The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.

An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.

M Soup, (2023) by Stephanie Mavi Garcia Panclas (SMGP), is their first experimental short film. M Soup, follows the character ‘M’ played by SMGP themselves, in which they play around with appearing hyper-masculine and hyper-feminine. This experimental short film can have as many layers as there needs to be or none at all. The goal is for it to be visually confusing and jarring yet have bits and pieces of meaning.