Being Impossible

Borrowing its title from the William Carlos Williams poem of the same name, Nameless Spectacle revela in the beauty of ordinary life through themes of voyeurism, power, and sexual violence. Projected on two duelling screens the viewer is unable to focus on the parallel perspectives of the film’s dual perspectives.

A non-binary South Asian teenager uses bharatanatyam dance to explore their gender identity.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

A storm is coming; the winds are getting strong. The real source of the ominous winds lies with Jina, who finds the strange word 'LingLing' written in her father’s notebook. She suspects he is cheating on her mother, who appears to be bored with life and fills the house with potted plants as if to show for her apathy. The film too is riddled with images of humid air and foul-smelling water, impure and overflowing. The sway of her father’s fishing pole and the flutters in Jina’s skirt seem perilous and unstable. When her anxiety and doubts finally come to a head, the family squarely face the rough downpour brought on by the storm. The director’s talent in boldly translating the characters desires and sensibilities into a narrative with powerful imagery is quite impressive.

A short self biography about introducing yourself to others, and reflecting on who they see you as.

A depressed wife and mother whose reality is starting to fracture into fantasy, drives her children to the beach. On the return journey she stops at a service station to fill up with petrol. Four mechanics eye her off and, as one of them walks towards her car, a full-blown erotic fantasy develops.

Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation, and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble.

Bishnu returns to her Himalayan village after quitting her job, only to face mounting family pressures and societal expectations. As tensions rise with her pregnant sister's arrival and a budding relationship with a "suitable" boy from her community, Bishnu must choose between conforming to tradition or claiming her independence.

Three poetic tales of seeking the true identity. In the first story, Jing, a blind singer, falls in love with her band's tomboy accordionist Diego. In another time and place, Lily, an elderly lesbian and Yen, her gay friend, create an unexpected bond and support each other in a time of crisis. Finally, we see Diego before she joined the band, when as a teenager she came to grips with her gender identity.

Zoya Diwan and her 8 year old son are stuck in an abusive marriage with her activist husband, when she is sought out for help by a victim of Triple Talaq

A claustrophobic plunge into the dystopian heart of darkness inspired by the director’s own detention, "Tomorrow Was War" unspools on a fraught New Year’s Eve in a Russian police state. Shura, a trans man hiding in plain sight, dreads his prying neighbors and the inevitable knock at the door. As the night fractures, so does the narrative — steered by the officer who arrested him, an architect of memory who twists history, truth, and identity to his will.

Esteban has left home for Spain, to study. He returns to see his parents in Paris for holidays. Between walks and Sunday lunches, Anne and Pascal do their best to adapt to their son’s new situation.

A short film about identity and gender.

Lindani, a neurotic young trans man, struggles to tell his partner Tam he loves them after a random encounter with a stranger shakes his self-confidence. But as he finds himself pushed and pulled in all directions by the perceptions of others, can Lindani reconnect with himself enough to figure out how he really feels?

Drawn by a strange ringing, a weary writer slips out of her life to follow it through the city, encountering strangers whose fleeting, intimate moments stir something lost in her. Phantasma reflects on the cards we’re given and what we choose to do with them.

Lucio is a family man who secretly experiences a crisis with himself related to his sexuality. Living years of agony, he decides to assume his true sexual condition for his family and friends.

During summer of 1994, Sam, a free spirited ten-year-old girl, tags along with her older brother and his friends where she enjoys playing as one of the boys until she experiences the societal limitations reserved for adolescent girls and the fleeting innocence of childhood.

Charlie is Not a Boy is the tale of a hushed soul, bound to a crumbling household in an allegorical America. With a perverted butcher for a father and a mother frozen in a quiet, catatonic spell, Charlie seeks solace in the whimsical world of his eccentric grandmother. As his safe haven unravels, Charlie navigates the hostile worlds of home and the military, caught between his authentic self and the masks he must wear.

It is night in Warsaw. Two very different homes. In one, a father watches sports lying on the sofa, expecting the son to do the same. In another apartment, a wealthy-looking mother sits at the table to dine with her daughter, completely different from her. At the same time, the boy and the girl embark on a nocturnal adventure of transformation, during which they strip off the various stratifications of gender that they have inherited. The streets of the city are transformed into a liberating walkway. When by chance they meet – face to face, body to body – they mirror each other in silence, offering comfort, safety.

Sydney, Australia, 1920. A burnt female body is discovered. There is almost no evidence at the crime scene, but Commissioner Dick thinks that a homicide has been committed. Meanwhile, Eugène, a sailor, alone at his hotel room, immerses himself in his memories: the disappearance of his wife Annie is one of them.