L'Âge d'or des châteaux forts

Devout Christians Töre and Märeta send their only daughter, the virginal Karin, and their foster daughter, the unrepentant Ingeri, to deliver candles to a distant church. On their way through the woods, the girls encounter a group of savage goat herders who brutally rape and murder Karin as Ingeri remains hidden. When the killers unwittingly seek refuge in the farmhouse of Töre and Märeta, Töre plots a fitting revenge.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

This animated short challenges enduring myths, spawned by fairy tales and romances, about women in medieval society. It explores the differences and similarities between that distant period and our own, and shows what medieval women’s lives were really like.

In the 13th century a scheming thief finds his wits challenged by a hunter and his daughter.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

The plot follows the events surrounding Vladimir from childhood and into adulthood. In the beginning of the film, being under the influence of the high priest Krivzha, the Prince is a young, impulsive and cruel pagan. Fighting for supreme power, Vladimir wins a battle that kills his brother. Regretting what he has done, Vladimir does not suspect a conspiracy between the priest and the Pechenegs. Vladimir is concerned about gathering the Slavic tribes into one united state. Solving this major task, he faces obstacles, which Vladimir overcomes in the end, defeating Krivzha and winning the battle against Kurya, a Pecheneg chief.

As the plague decimates medieval Europe, rumours circulate of a village immune from the plague. There is talk of a necromancer who leads the village and is able to raise the dead. A fearsome knight joined by a cohort of soldiers and a young monk are charged by the church to investigate. Their journey is filled with danger, but it's upon entering the village that their true horror begins.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.

In the darkness of a gothic night, two knights engage in a deadly duel, illuminated only by the mysterious light of a lantern. A noble lady, confined in a castle, has woven a mysterious connection with the contenders. Supernatural forces and inexplicable events will determine the fate of the duelists in a night of horror.

Regional historical drama about witch trials and poverty in medieval Ahrweiler, Germany.

Wartburg Castle has towered majestically over the Thuringian Forest for almost a thousand years. The medieval building is a living testimony to Germany's complex history - and is a symbol of freedom, power and culture. This documentary explores its long and eventful history.

When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man's sword to his family in Nottingham. There, he assumes Robert's identity; romances his widow, Marion; and draws the ire of the town's sheriff and King John's henchman, Godfrey.

Fantastický stredovek

In the 13th century, Walter of Gurnie, a disinherited Saxon youth, is forced to flee England. With his friend, Tristram, he falls in with the army of the fierce but avuncular General Bayan, and journeys all the way to China, where both men become involved in intrigues in the court of Kublai Khan.

Returning to his homeland after years of slavery, a Norman prince seeks revenge on his father's murderer – his ruthless uncle, Earl Durant. Gaining the trust of a band of exiled farmers, he leads them into battle against Durant, exploiting them in his inexorable quest for vengeance. As one by one they are slaughtered in the brutal battle, will the prince sacrifice everything an everyone to fulfil his quest for blood?

Sir Walter Scott's classic story of the chivalrous Ivanhoe who joins with Robin of Locksley in the fight against Prince John and for the return of King Richard the Lionheart.

At the end of 13th and the beginning of the 14th century twenty-four-years old, Prince Svetoslav Terter takes the helm of the state. The young Prince engages in a intricate political game, into getting his way by means of court intrigues, and is forced by circumstances. Svetoslav Terter is remarkably shrewd and consistent. He is perhaps the only head of state at this time to take the liberty of impeaching the primate of the country's church. He tries to rally the neighboring Slav people to a joint resistance to the Turkish conquest. Terter lives through a great personal tragedy. He becomes estranged from his dearest person, Mariya, who is too weak to join him on the difficult road of his choice. (written by Georgi Djulgerov)

A study of ruins of a fortified castle placed in the village of Seyssuel during two days of shooting and understanding of the moving light

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.