L'Âge d'or des châteaux forts

Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord's soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.

A Muslim ambassador exiled from his homeland joins a group of Vikings, initially offended by their behavior but growing to respect them. As they travel together, they learn of a legendary evil closing in and must unite to confront this formidable force.

This animated short challenges enduring myths, spawned by fairy tales and romances, about women in medieval society. It explores the differences and similarities between that distant period and our own, and shows what medieval women’s lives were really like.

Philippe de Montebello, Director of The Metropolitan Museum of Art from 1977 to 2008, guides viewers through The Cloisters, pointing out Romanesque and Gothic architecture and artwork, beautiful tapestries, and the diverse species in the gardens. He outlines the history of the building and it's many influences and highlights significant works of art in the collection. It was produced in 1989 by The Metropolitan Museum of Art's Office of Film and Television.

When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man's sword to his family in Nottingham. There, he assumes Robert's identity; romances his widow, Marion; and draws the ire of the town's sheriff and King John's henchman, Godfrey.

Devout Christians Töre and Märeta send their only daughter, the virginal Karin, and their foster daughter, the unrepentant Ingeri, to deliver candles to a distant church. On their way through the woods, the girls encounter a group of savage goat herders who brutally rape and murder Karin as Ingeri remains hidden. When the killers unwittingly seek refuge in the farmhouse of Töre and Märeta, Töre plots a fitting revenge.

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Europe in second half of 16th century was very rough place to live. Peasants of Slovenia and Croatia had even rougher times because of the constant threat of Turk raids and being taxed to death in order to provide defence against the Turks. But, the worst things were arrogant local feudal lords led by Franjo Tahi who were oppresing the common folk. All that led to the great peasant revolt of 1573. The movie is made for the 400th anniversary of the event.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.

Sir Walter Scott's classic story of the chivalrous Ivanhoe who joins with Robin of Locksley in the fight against Prince John and for the return of King Richard the Lionheart.

The narrative unfolds in the 14th Century, when the European nations vie for supremacy within the Holy Roman Empire. The ambitious Austrian Empire, desiring more land, invades neighbouring Switzerland, a serene and pastoral nation. Protagonist William Tell, a formerly peaceful hunter, finds himself forced to take action as his family and homeland come under threat from the oppressive Austrian King and his ruthless warlords.

In 1415, in the midst of the Hundred Years' War, the young King Henry V of England embarks on the conquest of France.

The plot follows the events surrounding Vladimir from childhood and into adulthood. In the beginning of the film, being under the influence of the high priest Krivzha, the Prince is a young, impulsive and cruel pagan. Fighting for supreme power, Vladimir wins a battle that kills his brother. Regretting what he has done, Vladimir does not suspect a conspiracy between the priest and the Pechenegs. Vladimir is concerned about gathering the Slavic tribes into one united state. Solving this major task, he faces obstacles, which Vladimir overcomes in the end, defeating Krivzha and winning the battle against Kurya, a Pecheneg chief.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

As the plague decimates medieval Europe, rumours circulate of a village immune from the plague. There is talk of a necromancer who leads the village and is able to raise the dead. A fearsome knight joined by a cohort of soldiers and a young monk are charged by the church to investigate. Their journey is filled with danger, but it's upon entering the village that their true horror begins.

In medieval Serbia, a young monk, a master of herbal medicine, grabs the attention of warlord's wife.

In the 13th century a scheming thief finds his wits challenged by a hunter and his daughter.

Returning to his homeland after years of slavery, a Norman prince seeks revenge on his father's murderer – his ruthless uncle, Earl Durant. Gaining the trust of a band of exiled farmers, he leads them into battle against Durant, exploiting them in his inexorable quest for vengeance. As one by one they are slaughtered in the brutal battle, will the prince sacrifice everything an everyone to fulfil his quest for blood?

Author David Macaulay hosts CATHEDRAL, based on his award-winning book. Using a combination of spectacular location sequences and cinema-quality animation, the program surveys France's most famous churches. Travel back to 1214 to explore the design of Notre Dame de Beaulieu, a representative Gothic cathedral. The program tells period tales revealing fascinating stories of life and death, faith and despair, prosperity, and intrigue.