Once Upon a Time There Was Iracema

Transamazônica

Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.

Não é Permitido: um recorte da censura ao Punk Rock no Brasil

Les secrets des fresques d'Amazonie

With a hybrid style blending political essay and road movie, this documentary by Santiago Bertolino takes us into the heart of the Amazonian reality. Following Marie-Josée Béliveau, an ecologist and ethnogeographer, they journey together along the 4000 km from the mouth of the Amazon River in Brazil to one of its sources in Ecuador where they meet with the guardians of the forest. As a result, we witness powerful and spontaneous testimonies from local communities who are doing everything to preserve what remains of their lands, which are disappearing due to the inexorable advance of Western modernity.

A journey through the Brazilian Amazon, guided by the eyes of Renato, a Carioca turned Amazorioca. A reflection on identity, the legacy of an ancestral territory, and the cost of progress. An ode to the forest and the fragility of what remains.

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

After surviving the massacre in which the police killed ten landless workers in Pará’s Amazon region, Fernando dos Santos becomes the only survivor to reveal his identity and testify. Still shaken, he recounts how the police murdered his boyfriend and tortured his companions, yet the film portrays him as far more than a victim: a courageous man who left the city’s comfort to chase the dream of owning land, using humor and intelligence to endure the solitude of being a gay man in rural Brazil. Alongside him is José Vargas, an idealistic lawyer defending the survivors and their right to justice. As he faces threats and isolation, the film exposes the human cost of truth, resilience, and the struggle for dignity in a land scarred by violence and inequality.

Teatro em Jampa Vive

O Clube Da Guitarrada

Four researchers record their perceptions as they walk through the patch of the BR-116 that goes through Canoas, Rio Grande do Sul, Brazil, looking for characters who’ve had their lives connected throughout the highway. The BR-116, the largest road in Brazil, crosses 10 states and connects Fortaleza to the municipality of Jaguarão, at the Uruguayan border, while also going through Canoas, splitting the city in two. The documentary brings testimonies from different people who share their life stories. “A Highway Movie” (2025) is the work that concludes Wender Zanon’s trilogy on Canoas, which starts with “This Is Canoas, Not Poa” (2021), followed by “Essays on a city” (2024).

For the first time, Esporte Clube Macapá will compete in the Copinha, the world’s largest under-20 football tournament. For young prospects from Amapá, the competition represents a rare chance to gain visibility. In Brazil’s Amazonian north, they are often overlooked — but in the Copinha, their matches will be broadcast nationwide, watched by scouts and agents connected to major clubs.

The Mackenzie and Amazon valleys are 10 000 km apart and are ecologically distinct. Yet, in a subtle sense they are collaborating elements within the biosphere, the Earth's thin layer of living matter. In this film are seen two of the world's myriad river ecosystems and how they are linked within the biosphere.

Como Matar um Rio

Uma casa, uma vida

At the end of the 1940s, Lebanon is sliding towards a devastating conflict. Catholic siblings Emilie and Emir decide to leave for Brazil. Aboard the ship to their new home, Emilie falls in love with Omar, a Muslim merchant. For an enraged and jealous Emir, the relationship is intolerable. As the story unfolds against the backdrop of the majestic rainforest, Emir’s actions and the choice that Emilie subsequently makes lead to disastrous consequences.

A young Venezuelan idealist flees his native land to escape a revolution. Hoping to find peace, he goes to the mountains and the forests of the Amazon. There he encounters Rima, the Bird Girl, an orphan living a life of nature, who is feared by a local jungle tribe.

Couraça

Between paints and easels, in various paintings and sheets of paper, Elisa's body and face occupy the whole place. Desired, observed, and immortalized—being a muse isn't as simple as it seems.

HannaH