Liberty or Death

Algérie, Les Deux Soldats

Chants d’Automne (Song of Autumn), is a story of daily life on a colonial farm, at the start of the war of liberation in Algeria, describing individual and group behavior in this context. An unthinkable, even dangerous, romantic relationship, born in this context between Catherine, daughter of a settler, and Abdelmalek, son of a blacksmith. Managing his vast property in a feudal manner, Monsieur Marcel whose only ambition is his personal enrichment to the detriment of the community. Everyone fears his authority except his daughter Catherine, a student in France, who returns home during the holidays. She does not stop herself from expressing to him her ideas of justice which go against family and colonial practices. Catherine and Abdelmalek's romance makes relationships increasingly strained, but the call for freedom will be stronger than a woman's love.

This is a film about the moral and philosophical sides of the life and the art, about the complex relations between the artist and the rough rules of the time in which he lives.

The picture features the life and deeds of Boris I - strong historic personality, which completes his mission to the full and at the end of his life receives holy orders. Prince Boris I is ruling in the late 9th century. In his youth, he, the brilliant statesman and diplomat, is experiencing heavy defeats in the wars he wages against his neighbors. Nonetheless, he manages not to cede any territories to the enemies. Under his rule, Bulgaria breaks with paganism and joins the Christian community, paying an exorbitant price, a heavy death toll, but there is no other way. The adoption of Christianity in 864 was a historical event of great significance. It guaranteed Boris I much need peace with the Eastern Roman Empire and allowed him to merge the numerous tribes inhabiting the country into a unified nationality and later to found a state. Boris I introduced the Slav script, thus turning Bulgaria into the cradle of Slav culture.

Knyaz Boris I reached the most important spiritual insight - the country needed a single language and script. It accepts students of Cyril and Methodius, creating Ohrid and Preslav Literary School. What other nations took centuries, for bulgarians takes place only about 20 years after their baptizing - introduced a Slavonic Alphabet.

This is an epic screen presentation showing the creation, the consolidation and the power of First Bulgarian Kingdom and the first Bulgarian ruler Khan Asparuh. This is the first part of the film trilogy about the events before the creation of the Bulgarian state in the middle of the VII century. Volga Bulgaria is straining under the attacks of the Khazars. Following the testament of his father, the sons of Khan Kubrat looking for a new home for their tribes. The youngest of them - Asparukh, wander 20 years in search of "land forever" for his people and reaches the mouth of the Danube. The film is narrated by captured Byzantine chronicler Belisarius, which should Asparukh in his journeys. Byzantine witnessed the heroic efforts of the Bulgarians to win the land south of the Danube and to create their new country.

This is an epic screen presentation showing the creation, the consolidation and the power of First Bulgarian Kingdom and the first Bulgarian ruler Khan Asparuh. The second part of the great historical epic - "The Migration" - tells about the long journey to the land of the Bulgarians of today's Bulgaria. Here the young Khan Asparukh laid the foundations of the new state. The authors adhere to the established historical versions for this event. The film builds on the impressive mass scenes and the convincing served psychological characteristics of the main characters. The image of Asparoukh is a natural center of the story, in which many minor persons recreate the environment of the Khan. Romantic exalted, Asparukh is shown as capable leader of the people, consistently implement his own ideas.

The last part of the epic "Khan Asparukh" - "Land Forever" is an impressive finish to scale narrative, created for the nationwide celebration of 13 century anniversary of the Bulgarian state. The authors collected in final chord all storylines, culminating in the political strengthening of the young Bulgarian state. In the center of the film epic again is the image of Khan Asparukh - a lofty romantic hero who embodies the virtues and energy of his people.

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

At the end of the 18th century in Bulgaria under Ottoman slavery, a young woman leaves home and family to become leader of a guerrilla gang.

May It Fill Your Soul is a film about Bulgarian traditional music, about the pain of emigration and the promise of immigration, and about a family with a century-long musical history. Bulgaria's astonishingly rich village music traditions include strong women's singing, musical instruments with roots its millennia-old pastoral lifestyle and its 500-year history in the Ottoman Empire, and its lively dancing in additive meters of 5, 7, 9, and 11 beats to the measure. These practices are presented through the lens of a musical family trained during Bulgaria's communist regime (1944-1989) to represent the best that Bulgaria had to offer the world, but who made the wrenching decision in the post-communist period to immigrate to the United States for the sake of their daughters' futures. From that vantage point they have been able to teach their art to, and "fill the souls" of, singers, dancers, musicians, and audiences all over the world.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

A new teacher - Marina - arrives in a small Pomak village in the late 1960s. She is a woman trying to live and think independently. Marina finds herself in a world unknown to her, at once pure and immaculate, but with the signs of the deformation of natural life that is typical of the whole country. After meeting the Doctor, Bai Mnogoznai, Mariana, the mayor, the internationalist Yosko, she discovers that each resists authority in their own way. And when the government starts changing the non-Bulgarian names of the Pomak villagers, the heroine realizes she is in a prison - with high mountains, forests, rivers - a prison of tragic beauty.

Domingos is a member of an African liberation movement, arrested by the Portuguese secret police, after bloody events in Angola. His wife goes from a prison station to another, trying in vain to find out where he is.

The feature film “The seven ramparts of the citadel”, a fiction recounting the conflict between an Algerian family expropriated from its land and a bloodthirsty settler; by director Ahmed Rachedi. Adapted from the eponymous novel by Mohamed Maarafia, the film, whose plot begins in 1954, tells the story of two characters, Thebti and Lucien, “the fellaga and the colonist”, a story of crossed destinies. “After having engaged in a fight to the death, after having both traveled a long path of embers, (they) finally find themselves face to face and above all each face to themselves”.

In 1962, René Vautier, together with some Algerian friends, organised the audio-visual formation centre Ben Aknoun to encourage a "dialogue in images" between the two factions. Together with his students he made a film that shows the history of the Algerian War and of the ALN (National Liberation Army), and life during the reconstruction.

The Oath, a TV film produced by Algerian television in 1963 following the end of the war of independence, tells the story of young Algerians who joined the resistance after the bloody repressions of May 1945 in Constantinois by the French colonial army .

This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.

A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

A film about the dramatic and extraordinary fate of the lonely man who confronted the meat grinder of the communist regime. Georgy Konstantinov, 19 years old, blew up Stalin's monument in Sofia and death passed him by only because the dictator died two days later. He miraculously survived 10 years in prison and psychiatric wards and managed to escape to France. His State Security file numbers more than 40,000 pages. Even today, he does not cease to expose the crimes of the regime with the strength of truth and of his character.