From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.
An outrageous social comedy about a New York realtor who dreams of having political influence by taking over a new Polynesian nation.
Four elderly men (Fons, Lull, Nuckes and Jängi) are fed up with being walked all over and treated like children. Together with their friends, they plan a future without old people's homes. But that's easier said than done.
A private detective engages in a sexually-charged relationship with a real estate broker.
Since the ban on use of animals in circus shows, the Great Sumatra Circus faces a major financial crisis. Baron, who owns the circus, accepts unseemly proposals from the mayor to hold cattle auctions, rallies and other alternative events at the circus. Unhappy with the news, circus artists come together to plan a new show and re-attract the audience, led by Didi, Dedé and Karina.
For the first time, audiences get a behind-the-scenes glimpse into NYC's famed improv show by UCB: Asssscat.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
After the unexpected death of his best friend, a man examines his life and finds it incredibly lonely. Inspired by an encounter with a beautiful and sexy model, he embarks with his three friends on what turns out to be a crazy (and slightly stupid) endeavor on a path towards fulfillment.
Vikram (Mohammad Iqbal Khan) and Ajay (Anuj Sawhney), and an accomplice, John D'Souza (Paresh Rawal), become prime suspects, and are on the run. They must apprehend Chindi and recover the crown to absolve themselves of this crime. While being chased by security guards, the trio crash into a wall, and are transported back to the 10th century, straight into the palace of Emperor Babushah himself.They realize that only a miracle can get them back to the 21st century.
When Egypt's climate changes , turning the country into a frozen state, a group of intelligence officers travel to Italy to get a device that can stop the frost, posing as a movie crew.
The Olivier Award-winning Mischief Theatre brings Peter Pan Goes Wrong to BBC One. As part of its commitment to community theatre, the BBC has commissioned The Cornley Polytechnic Drama Society, an amateur dramatics group, to recreate the JM Barrie classic as part of their festive programming. But can they pull it off? Narrated by David Suchet and filmed in front of a live audience, watch as Peter Pan flies through the air, Captain Hook and his pirates set adrift in the lagoon, and Tinkerbell is due to light up the stage in a stunning electrical costume... what can possibly go wrong?! With their trademark comic mayhem, expect hilarious stunts, chaos, technical hitches, flying mishaps and cast disputes on the way to Neverland with hilarious and disastrous results.
The continuing adventures of the Portokalos family. A follow-up to the 2002 comedy, "My Big Fat Greek Wedding."
A comedy about a young man who desperately wants to be gangster.
A wealthy businessman and a businesswoman face financial ruin during an economic crisis. As they try to recover, a comedic romance develops between them.
This is a great performance. Through yelling and energetic story-telling, he talks about marriage, drugs, being arrested (thanks to his ex-wife), pleasing women, religion, and much, much more.
A funeral can be a time for laughter (and lessons) when the kooky Brown family gathers to bury Brown's 107-year-old father. It's a foot-stomping sound-stirring send-off and a great reminder--"Ain't nothin' like family, ain't nothin' like love!"
Dazza's passion in life is barbecuing, but unfortunately he accidentally gives his neighbours food poisoning. To make amends, he receives tutelage from a Scottish chef, and together they enter an international barbecue competition.
Bruno's plan to win back his ex-girlfriend hits a snag when he becomes attracted to her boyfriend.
Nick Naylor is a charismatic spin-doctor for Big Tobacco who'll fight to protect America's right to smoke -- even if it kills him -- while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick's powers of "filtering the truth" will be put to the test.
What happens when you travel to the birthplace of green slime? For an entire generation of classic Nickelodeon fans, it's like finding the Holy Grail.