The Night of the Last Day

Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.

Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.

A young director, Yamamoto, who is riding a wave in independent movies, was given an opportunity by a producer, Mr. Amano, to make a feature-length movie, “Dynamite Soul Bambi”. Yamamoto and his staff, additional technical staff, and cast are enthusiostic about making the film even though it’s on a relatively low budget. Mr. Tanizaki is making a “Behind the scenes look” of the film.

Min Jung and Sae Byuk are independent film directors with similar careers. Sae Byuk hasn't been able to make good achievements with her work and one day runs into Min Jung at the movies. Min Jung tells Sae Byuk that she 'enjoyed her movie'. However, that only deepens Sae Byuk's agony. The two of them decide to find better words to replace them.

Shinji is a middle-aged, sleaze film director who used to be famous. He hardly goes back home and moves from one woman to another. In spite of his idleness, women are very fond of him and look after him compassionately for whatever reason.

While shooting a film in a small town, a famous actor puts his personal life and career in jeopardy by starting an intense affair with another man.

While directing a Caravaggio film, a filmmaker is drawn to his lead actor as a romance unfolds among the cast. Heartbroken, he escapes into fantasy, seeing himself as the painter's beloved model as the line between cinema and desire fades.

Based on a true story, this is a subtle tale of re-affirmation of the identity of the artist following the Armenian Diaspora. It is an encounter with his alter-ego, a dialogue with his own conscience, a gradual dawning of the truth and an authentic glance at life... themes understandable by all. The film is an episode in the life of the director, a life full of surprises, and all the more so for being a cosmopolitan Armenian-American now standing on his native soil, his ultimate source of creative energy and ideas.

In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.

Peter von Kant, a successful, famous director, lives with his assistant Karl, whom he likes to mistreat and humiliate. Through the great actress Sidonie, he meets and falls in love with Amir, a handsome young man of modest means. He offers to share his apartment and help Amir break into the world of cinema. Several months later, Amir becomes a star. But as soon as he acquires fame, he breaks up with Peter, leaving him alone to face himself.

Years after her Hollywood breakthrough, a talented actress whose career has stalled fights for her second act.

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.

A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

A disillusioned filmmaker has an encounter with a young woman who has a ritual of repeating "Tomorrow is my birthday" everyday. He tries to communicate with her through his video camera.

The Simplicity of Two Lives Between the Riot of the World

Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.

In the frenzy of Fashion Week, three women cross paths in Paris, grappling with the world's tragedies and the questions of their lives: Maxine, an American film director in her forties, discovers she has cancer; Ada, a young South Sudanese model, escapes a predetermined destiny to be thrust into a deceptive universe and French makeup artist Angèle, a small hand working in the shadows of the catwalks, dreams of escaping her life.