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A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.

By 1314, through effort and intrigue, Scottish King Robert Bruce had captured every major English-held castle except Stirling. Now English King Edward II would try to stop him - and subdue the Scottish rebellion forever. This is the story of the pivotal campaign culminating at the decisive Battle of Bannockburn, in the shadow of Stirling Castle. Today as Scotland contemplates a countdown to a referendum for renewed Scottish independence, we search the hearts and minds of the characters whose efforts at the Battle of Bannockburn would build a nation. Filmed in the style of 300 and Sin City and with intense and bloody battle scenes, we bring to life one of the most iconic times in Scottish history.

A three part story about the plague, religion and revolt in Northern Europe in the period 1349 to 1542.

In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.

Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.

There are over 1.4 million Arabs who are citizens of Israel, facing the challenge of living in a Jewish state while maintaining their Arabic heritage. In Israel, soccer is king, and Bnei Sakhnin has become the first team from an Arab town to win the prestigious Israeli Cup — and represent Israel in European competition. Fielding Arab, Jewish and foreign-born players, owned by an Arab, and coached by a Jew, Bnei Sakhnin's success has begun to represent a symbol of coexistence, a potential bridge between Arabs and Jews in Israel. But as Bnei Sakhnin begins its first season after their unexpected win, they know it may well be their first and last in the limelight. Underfunded, lacking experience, and with a rift brewing between the star player and the coach, they face unprecedented challenges — impossible expectations have come with their sudden success, and failure to live up to them will carry consequences both on and off the field.

The High Holy Brothers is a documentary on a mysterious Messianic cult formed by peasants who fled the violence of the forties/fifties in Colombia and are admitted to live in the mountains of southern Tolima. Its members dress in sacks, they have their own dialect and regard everything as “Blessed”, minus the right side of the body, which castrated covering it with the “holy coat”. This group rejects all elements of the consumer society, established institutions, the state, church and political parties.

Iara, a girl who is about to come of age, dreams of seeing the ocean, but lives in Rio Grande do Norte's countryside with her mother, a woman who's dreams were swallowed by the waves and who fears of losing her daughter.

The Angel of God and an ordinary shepherd named Gideon debate obedience versus disobedience to God.

Urbino Martínez, on his deathbed, regrets his wrongdoing after betraying Emiliano Zapata.

Why do we do the things we do? Why do we go to church or give money away? Because we're supposed to or because we think God needs it? Do we honestly put on our best clothes for an hour once a week, stand and sit at all the right times, and sing all the appropriate songs for God's sake, or because it'll make us look better to the world around us? We're tired of all the empty rituals and routines. And so is God. God hates it when we call ourselves Christians but ignore all the things he really cares about. He hates it when we go through hollow religious routines out of some feeling of duty or obligation. God doesn't want the meaningless rituals. God wants our hearts.

The second part of the retelling of the first and second seasons of the anime.

A documentary that takes us to the heart of jihadism in Mali

The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.

The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.

Katherine Morrissey, a former Christian missionary, lost her faith after the tragic deaths of her family. Now she applies her expertise to debunking religious phenomena. When a series of biblical plagues overrun a small town, Katherine arrives to prove that a supernatural force is not behind the occurrences, but soon finds that science cannot explain what is happening. Instead, she must regain her faith to combat the evil that waits in a Louisiana swamp.

The latest battle in the eternal war between Good and Evil has come to New Jersey in the late, late 20th Century. Angels, demons, apostles and prophets (of a sort) walk among the cynics and innocents of America and duke it out for the fate of humankind.

Following the death of his mother, 9-year-old Elias goes to extreme lengths to naively bring her back from Jesus’ heaven all while defying his faith…

A pastel animation produced by Sheila Graber and based upon the short story by Sid Chaplin. Narrated by north east broadcaster Mike Neville the film tells the story of Geordie, a miner, and his love for his pigeons and the trials and tribulations of his passion which is very popular around the region. The face of Sid Chaplin is used as Geordie.

Jesus, a carpenter living a simple life, discovers his destiny as the biblical Messiah.