Who’s afraid of the big bad wolf? "Not I!" answer the first two brothers as they build their new homes -- one made of straw and the other of sticks. But when the wolf huffs and puffs and blows down their houses, the brothers seek protection in the third pig’s house, very wisely made of bricks. Will the three little pigs finally be safe once and for all? Bonus shorts include: The Big Bad Wolf, Three Little Wolves, Lambert The Sheepish Lion, Chicken Little, Three Blind Mouseketeers, and Elmer Elephant.
Walt Disney Treasures - Silly Symphonies
If you have ever felt stuck on a hamster wheel at work, you will probably be able to relate to these lovable little robots. Watch their repetitive functions spiral out of control in this delightful animated short by Michael Marczewski.
Lewis, a brilliant young inventor, is keen on creating a time machine to find his mother, who abandoned him in an orphanage. Things take a turn when he meets Wilbur Robinson and his family.
Comedic avant-garde animation of The Simpsons. Third part of a 4 piece series of short films.
Comedic avant-garde animation of The Simpsons. Fourth part of a 4 piece series of short films.
Comedic avant-garde animation of The Simpsons.
While on an airplane, a traveller's spirit plunges into a dream world. Here, under the influence of the unknown, the logic of his desires prevails, and a romantic saga takes shape.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A short animated film by Furukawa Taku.
When taking a microscopic view of a dot of the printer ink, it begins to transform into unstable forms. The other sphere/eyeball which appears when moving away from the dot, suggests the overlay of the swaying of the retina that occurs when staring, and the motion within animation.
By scratching the surface of a polaroid photograph before the emulsion dries, the work abstracts the interior space of the frame. Positioned as if being locked inside the frame, the mobility of the subject becomes accentuated.