Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.
The first and only Taiwanese player for the New York Yankees, Chien-Ming Wang held many titles: American League Wins Leader, World Series Champion, Olympian, Time 100 Most Influential, and The Pride of Taiwan. He had it all - until a 2008 injury forever altered the course of his career. Late Life: The Chien-Ming Wang Story - named after the late sinking action on his signature pitch - follows the rise and fall of the international icon as he fights his way back into the Major Leagues through endless rehab programs and lengthy stints away from home, carrying the weight of the world on his battered shoulder. A poignant and intimate account of Wang’s steadfast quest, Late Life tells the story of a man who is unwilling to give up and unable to let go.
This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.
Resulting pic blurs the line between documentary and fiction as Yanagimachi explores the lives of a couple of groups of peddlers, and they appear to act out their personal dramas for the camera.
One Country, Two Systems? No Way! say the youth of Taiwan. But China under President Xi Jinping wants more than ever to bring the island of Taiwan back into the fold, just like Hong Kong. Can the burgeoning democracy on China’s doorstep, driven by digital technology, resist the Middle Kingdom’s advances? To China Taiwan is a breakaway province that must return to the fold. To its 24 million inhabitants it is a sovereign state with its own constitution and democratically elected leaders. Now that Hong Kong has been brought into line, Taiwan remains determined to stand up as a vibrant, young democracy. But it won't be easy. Since the Sunflower Movement in 2014 when the young came out to prevent an economic agreement with China, citizen groups have been fighting for the transparency of institutions.
In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.
白色王子
Upon learning of his father's terminal illness diagnosis, a young, autistic, hearing-impaired artist travels back to Taiwan with a filmmaker to make a film in his honour.
When adults are ineffectual, children have to grow up quickly. Ola is 14 and she takes care of her dysfunctional father, autistic brother and a mother who lives apart from them and is mainly heard the phone. Most of all she wants to reunite a family that simply doesn’t work — like a defective TV set. She lives in the hope of bringing her mother back home. Her 13 year old brother Nikodem’s Holy Communion is a pretext for the family to meet up. Ola is entirely responsible for preparing the perfect family celebration. “Communion” reveals the beauty of the rejected, the strength of the weak and the need for change when change seems impossible. This crash course in growing up teaches us that failure is not final. Especially when love is in question.
The rural Taiwanese outer islands of Kinmen sit merely 2 miles off the coast of China. Kinmen attracts tourists for its remains from the 1949 Chinese Civil War. It also marks the frontline for Taiwan in its escalating tension with China.
With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.
As dawn breaks over Taipei, a whole world comes to life around the Luzhou temple night market, only to be dismantled by sunrise. In COME HUNGRY, Oscar-winner Carol Dysinger creates a city symphony out of the rhythms, sounds, colors, and flavors of this ephemeral community that revolves around Taiwanese food, traditions, and identity.
When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.
The essence of progress in civilization has always been handiwork. In traditional Chinese civilization, the emperor was supreme. Vested with the authority to enjoy the best of handiwork, all crafts used for residence, clothing, food, and travel were the most refined and splendid.
After 30 years of cold war, Taiwan and China finally opened cross-strait trade and tourism in 1980. However, through decades of political and educational vilification of their counterparts by the KMT and CCP, and despite close economic and cultural ties, what lies beneath the diplomatic relations is a disconnect and mistrust that cannot be denied. KE is a failed business in Taiwan who hopes to start over as a 'Taiwanese Expat' in Shenzheng, China with a Taiwanese company. Lili, a laborer from China, meets her Taiwanese husband online and moves to Taiwan in hopes of a better life. Both KE and Lili cross the straits in hope of achieving what they cannot find in their homeland. But how much do they really know about that country across the straits?
This documentary focuses on the love story between Dr. Tian and Mrs. Tian. And how fought for democratization of Taiwan.
Is Taiwan the scene of the next bloody war? A Chinese attack could trigger a conflict between the superpowers. How great is the danger of a Chinese invasion?
Taipeilove* is a documentary on the perception of homosexuality in the Taiwanese society. As Taiwan is the first country in Asia that is in the process of legalizing same-sex marriage, the documentary follows activists, politicians and experts in the Taiwanese society who have been fighting for marriage equality and navigating their lives through the hardship of coming-out, reaction of families, abandonment and finding love.
Hong Kong and Taiwan are 2 islands inextricably linked by their huge neighbour. Modern metropolises full of eastern traditions, they're forging forward in the 21st century as China's little dragons. Traveller Megan McCormick begins her journey in Hong Kong, looking out at the incredible skyline from Victoria Peak. She then takes in the contrasts of the city before taking the ferry visit Tap Mum Chau and Lantau Island. After a flight to Taiwan she explores the capital Taipei, ending her trip with a visit to its most remote outpost - Orchid Island.
In Taiwan, there is a group of people participating in this race against time. They are hidden inside the film archive of New Taipei City’s “Singapore Industrial Park”, where the 17,000-plus film reels and over a million film artifacts have become their spiritual nourishment. Day after day, they shuttle back and forth inside, carrying their doubts, their learnings, and their faith. What they are doing is awakening these long-neglected film reels, then piecing together the no-longer-existent social atmospheres and lives of distant pasts recorded on them. And spending time in this archive has become everyday life for these film archivists and restorers.