Big Fish

Big Fish is replete with special effects

Adventure Drama Fantasy
125 min     7.759     2003     USA

Overview

Big Fish is a fantasy drama film directed by Tim Burton and based on the novel of the same name written by Daniel Wallace. Starring Ewan McGregor and Albert Finney as Edward Bloom, the movie tells the story of a son who is trying to determine the facts from fiction in the life of his dying father.

This is Tim Burton’s second film about dreamers who come up with unbelievable stories. Like Ed Wood, it is a realistic movie. But, at the same time, like in any Burton’s film, there is magic in it. In Hollywood, special effects are responsible for the magic. Big Fish is replete with special effects, but they do not destroy the realistic canvas of the movie and serve only to illustrate the stories told by the heroes.

The picture shows the conflict of generations. Young Will Bloom, a professional story writer, cannot understand his father, who embellishes every moment of his life for no reason.

This is a film about the triumph of fantasy over the gray routine. Big Fish makes you think about many things. Firstly, life's path is thorny, and in order to get something really worthwhile, you sometimes have to go through an unprecedented difficult path. Secondly, you need to perceive life as colorful, and then it will be so. Thirdly, the film shows that you must always achieve your goals, even if it seems that all the doors are closed. Always find strength to go and push those doors.

Reviews

JPV852 wrote:
First time seeing this since probably 2003 in theaters and it's absolutely heartfelt and charming, probably one of Tim Burton's best films, or at least one of my personal favorites of his. Great performances all around but especially Ewan McGregor and Albert Finney. Really well done. **4.5/5**
CinemaSerf wrote:
I must admit I did struggle a little to wonder how Ewan McGregor could ever age into Albert Finley, but then as the whole principle of this story is to stretch the truth, then I suppose why not! It’s those very far-fetched sort of scenarios that caused this family’s problems in the first place as the young “Will” (Bully Crudup) has to return home after a three year estrangement from dad “Ed” (Finney) when the latter man is diagnosed with terminal cancer. A sort of uneasy truce breaks out between them as we realise that extent of their issues is more that the young lad actually believed some of the fantastic fables he was being spun by his enthusiastic younger dad (McGregor) and so feels that somehow he has been betrayed and lied to all these years. The most preposterous of those sees an early witchery outing for Helena Bonham Carter as the neighbour whose glass eye will espy the impending death of the startlingly naive young “Will”. The only solution here seems to be that dad acknowledges his failings to his profoundly disappointed son and maybe some form of reconciliation might emerge from these truths. “Edward” isn’t the apologising type, though, and so a bit of a Mexican stand-off seems destined to thwart any possibility of a rapprochement. Then again, could there be some truth to the old man’s stories after all? The inventive use of flashback and two really quite engaging efforts from McGregor and a sparingly used but effective Finney give this a certain poignancy as the ridiculousness of the initial premise of their falling out gives way to more serious and profound issues about truth. What might that actually be, and need it be the same truth for everyone? Maybe, just maybe, the young “Will” needs to take things a little less on face value? As the film progresses, the story becomes increasingly more touching and for that, the equally on-form Crudup can take much credit as this character study advances in the face of one tragedy, certainly, but hopefully not two. The switching around of the timelines works well and allows the production to indulge itself in two totally different eras with all of the creative benefits that offers. It’s quirky, quite funny and well worth a couple of hours.

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