Igloo

Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.

Once there was an age of ice but it is disappearing. This is a lyrical and thought-provoking film about the death of an era and a moment in time. A time when stoic creatures are caught in between what once was and what will inevitably come.

Glenn Close narrates this National Park Service movie about the many varied aspects of Gates of the Arctic National Park & Preserve. Shown at Morris Thompson Cultural & Visitors Center.

This short experimental documentary challenges stereotypes about Indigenous people in the workplace. Featuring portraits set to a powerful poem by Mohawk writer Janet Marie Rogers, the film urges viewers to go beyond their preconceived notions. As I Am is a celebration of Indigenous people's pride in their work and culture.

Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.

More than an attachment to our territory, the Innu live a filial relationship with Nitassinan, our ancestral homeland. For so many generations, the land has nourished, cared for and raised us. It has inspired our language, our culture, our lifeway and our vision of the world. Throughout the seasons, our ancestors criss-crossed the territory on foot, by canoe or on snowshoes. They knew every river, lake, or stream; every mountain, hill or bog; every camp, trail and portage path. Nomadism forged our people, and the film will record this journey and our history – past, present and future. And while it will attest to our vitality and resilience it is also – and above all – a tribute and a message of respect for the Earth.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.

The story of a town at the mercy of a landscape in transformation; standing on the brink of an encroaching reality, one in which the age-old fears of the inhabitants are being reproduced. A hamlet has survived, perched in a remote location where its children can grow up and the elderly can die and stay there.

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

In May of 1942, across the rugged sub-Arctic wilderness of Alaska and Canada, thousands of American soldiers began one of the biggest and most difficult construction projects ever undertaken-building the Alaska Highway. This program tells how young soldiers battled mud, muskeg, and mosquitoes; endured ice, snow, and bitter cold; and cut pathways through primeval forests to push a 1,520-mile road across one of the world's harshest landscapes.

A film made by Victress Hitchcock and Ava Hamilton in 1989 on the Wind River Reservation for Wyoming Public Television.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

In 2019, 1.2 million people stepped off a cruise ship into the small, south-east Alaskan town of Ketchikan. The next year, in 2020, zero did. After decades of diligent work building a sleepy fishing, mining, and logging town into one of the most sought after cruise destinations in the world, the COVID-19 pandemic has transformed Ketchikan into an empty shell—lined with restaurants, shops, and attractions for the visitors who no longer come. Now, the town must find a way to survive without its key economy until the day arrives when cruise visitors once again pour into its docks.

The rugged coast of our biggest state harbors the most incredible wildlife in America. When winter breaks, animals make the most of the endless sunshine before this world closes again in darkness. This is the story of the creatures that endure this harsh reality along the shoreline—Alaska's life on the edge.

For millennia, Native Americans successfully stewarded and shaped their landscapes, but centuries of colonization have disrupted their ability to maintain their traditional land management practices. From deserts, coastlines, forests, mountains, and prairies, Native communities across the US are restoring their ancient relationships with the land. As the climate crisis escalates these time-tested practices of North America's original inhabitants are becoming increasingly essential in a rapidly changing world.

In this era of "reconciliation", Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist'ot'en Camp, Gidimt'en checkpoint, and the Wet'suwet'en Nation standing up to the Canadian government and corporations who continue colonial violence against indigenous people.

Kodiak Island in the Gulf of Alaska is home to the largest bear on earth, the Kodiak Bear. At least 2,500 bears live on the island and the animal is regarded as the world’s biggest land predator, reaching an impressive four meters in height when standing on its hind legs. Film maker Stefan Quinth spent three years filming the Kodiak Bear and the wildlife of Kodiak Island. His film is a dramatic story about bear and salmon, beavers and eagles. But it is also a film about the thrill of meeting the giant bear eye to eye in its natural habitat.

Les six saisons des attikameks