Little Women in Transit

In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.

In this short, the janitor of a Paris museum's Egyptology department agrees to help a girl hide from the police.

Camilla

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

This is a story about the origin of hostility between a cat and a dog. Based on the ballad of Hovhannes Tumanyan.

Interviews with the animals at the Marine Life Institute about their experiences with Dory.

A swimmer prepares for the swimming championship final, and hours before the tournament, terrifying and suspicious situations and events happend to him

After June and Charlie break up, Theo finds a scrapbook containing their fondest memories together, and he becomes obsessed with their relationship. He convinces June to try and win Charlie back by recreating moments from the book. Dear June follows the intricacies of a relationship going downhill and explores how straight men view and tokenize sapphic relationships.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Mikail had to flee Chechnya for being homosexual. Unexpectedly meeting his old childhood-friend Daud in Germany, Mikal is not only faced with a renewed friendship, but a recurring fear of persecution.

A hot summer day. The cherry-tree branches are full of ripe berries, swaying from the wind and weight. A recently retired father invites his son to help him with the cherry picking in the garden. The father is not in a rush, as he now wants to spend more time with his son, leaving the cherries in the background. Working together and staying silent, they both realize how much time they’ve lost during those 30 years. The cherries bring the two men back to their first memories and let them experience them longer, as if to start all over again.

After his e-bike is stolen, a food delivery driver in New York City comes to terms with the fragility of his life in America.

A high mountain hamlet, early summer. Félix comes down from the pastures where he’s guarding his cows and finds his old mother lying lifeless on her bed. Shaken, he runs off. He drives a few miles in the valley to the house of a young man who just contacted him on a dating app.

Overwhelmed by her husband’s medical bills, Sofia takes a desperate measure: she becomes an egoblogger.

Cursed Angels

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

'Alan Smithee' is a film about a boy growing up. It delves into the darker side of what 'growing up' sometimes means: growing into your flaws, inevitably being met with the errors of your parents, and the necessity to make room for the pain. While Alan is surrounded by what is thought to be the American ideal, all the material comforts that should equate happiness, he learns that sometimes all we are is lost in the woods.