The Day We Landed on the Most Perfect Planet in the Universe

This short film brings light to the reality of transsexuality during childhood and aims to emphasize the importance of the role of grandparents.

On the brink of social collapse, the city of Los Angeles is full of protests in favor of immigrants and against deportations under the administration of Trump. On the border with Mexico, thousands of people try to cross every day.

L'Âge d'or de la pub

16-year-old Bella and Vipulan are part of a generation convinced its very future is in danger. Between climate change and the 6th mass extinction of wildlife, their world could well be inhabitable 50 years from now. They have sounded the alarm over and over, but nothing has really changed. So they’ve decided to tackle the root of the problem: our relationship with the living world. Over the course of an extraordinary journey, they come to realize just how deeply humans are tied to all other living species. And that by saving them… we’re also saving ourselves. Humans thought they could distance themselves from nature, but humans are part and parcel of nature. For man is, after all, an Animal.

Guy Debord's analysis of a consumer society.

Shrouded in secrecy and notoriously cash-strapped the North Korean regime has resorted to running one of the world's largest slaving operations - exploiting the profits to fulfil their own agenda. These bonded labourers can be found in Russia, China and dozens of other countries around the world including EU member states. Featuring undercover footage and powerful testimonials, we reveal the scale and brutality of the operation and ask what, if anything, is being done to stop it.

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A daily life in Korogocho, Kenya, one of the world’s poorest slums.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

A documentation of the year of high school of 1970 to 1971 for students and teachers alike at the St. Mark prep-school community, from the 'weird drama and film students', to the most infamous teachers of the year like Mr. Burns and Mr. Whatley, along with many references to music and film of interest at the time; Consistently from the perspective of an intrusive senior, according to Mr. Whatley, "had the worst case of senioritis he had ever seen." Shot entirely in Super-8, narrated by the director.

Between 1950 and 1958, John Marshall made four expeditions to film the Ju/'hoansi (a group of !Kung Bushmen) of the Nyae Nyae region of Namibia (then South West Africa). During this time, Marshall shot over 300,000 feet of 16mm film (157 hours). He later produced a total of 23 films exclusively from this footage. In this short film, children tempt fate by playing with scorpions.

In this educational film about personal hygiene, Harv and Marv are animated characters in the real world. When Marv says he wants to become human, Harv shows him that real people have to bathe, wash their hands and teeth, and mind their appearance.

On the brink of social collapse, the city of Los Angeles California is full of protests in favor of immigrants and against deportations under the administration of Trump. On the border with Mexico, thousands of people try to cross every day.

An epic journey of courage, hope and generosity, filmed in 15 countries. Child of Nature follows 5 connected stories of young people who, against all odds are transforming their lives and the lives of those around them.

A rampant, street level story of mentorship and everyday heroism in tough circumstances. An inner city coach's son, estranged in his youth from his father, spends five years on ball fields in inner city Oakland and Havana, following the lives of two extraordinary youth baseball coaches, Roscoe in Oakland and Nicolas in Havana. The coaches meet on videotape and two years of red tape later, Coach Roscoe and nine Oakland players travel to Havana to play Coach Nicolas' team. For one week, the players and coaches eat, dance, swim, argue and play baseball together. But when the parent of an Oakland player is murdered back home, it brings back the inescapable reality and challenges of life in an American inner city.

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic's Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena, the young protagonist of the film, and her family stand to lose their legal residency in the Dominican Republic if they don't manage to get their documents in time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society around, Elena becomes the face of the struggle to remain in a country built on the labor of her father and forefathers.

A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.

Drivers of urban public transport in Bogotá do not receive a fixed salary¸ only a percentage per passenger picked up. Through the testimony of two champions of this daily war¸ an unpleasant daily life is shown¸ distressing and dangerous¸ both for the users and for the drivers themselves los and from which the only ones who benefit are the great transport entrepreneurs¸ true architects of a bloody war in which the State is hardly an indolent spectator.

Deep Brazil. Between drifting through a city in the interior of Mato Grosso on the banks of the BR-163, we follow moments of the routine of Ana Rúbia, who is preparing for the launch of the book “School Memories of Travestis”.