The Day We Landed on the Most Perfect Planet in the Universe

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

From the moment we got engaged and set a wedding date, we began thinking about the reasons we chose one another. What was so special about this relationship that we decided to spend our lives together? Would our love be the same if we were born in another time or at another place? What is love exactly? Driven by those questions, we decided to embark on a one year journey around the world to research whether love, one of the highest values in our lives, is universal, or it is completely conditioned by the circumstances around us.

A portrait of a group of youngsters in Agger at the west coast of Jutland. They listen to the raw metalrock. They dress in leather and rivets. And that doesn't exactly lessen the generational divide.

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.

Aging parents of disabled adults, they worry about their child's life after their disappearance. A moving insight into the daily life of a family home in the Vendée region, which offers them the prospect of a peaceful future.

Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.

This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.

Examines the implications of Christian Nationalism, how it distorts not only our constitutional republic, but Christianity itself, and asks the question: What happens when a faith built on love, sacrifice, and forgiveness grows political tentacles, conflating power, money, and belief into hyper-nationalism?

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

For the first time, survivors talk about life after the camps. How does one return to a life that was interrupted with such violence? How does one reconstruct oneself when all or most of one’s family were butchered? How does one resume studies and earn a living in a society that had cast you out a few years earlier?

1972 in Haute-Savoie (France) : the Bertrand's farm, with a hundred dairy cows owned by three bachelor brothers, is filmed for the first time. In 1997, they were the subject of Gilles Perret's first movie, as they let their farm to their nephew Patrick and his wife Hélène. Nowadays, 25 years later, Gilles Perret take another look at this farm, managed by Hélène who will step down. Through their words, an intimate, social and economic history of the rural world.

Two unhoused men turned community leaders— John and LaMonté —organize their neighbors in the face of displacement, addiction, and a failing social system.

A college student searches for justice after she discovers deepfake pornography of herself circulating online.

Books, apps, coaching sessions: Today, happiness is everywhere. We might think that there is nothing wrong with this common-sense concern. But it’s actually the opposite of social reality. So what lies behind this contemporary obsession with happiness and the billions of euros generated by its industry? Philosophers, sociologists, economists and psychiatrists including Christophe André, Éva Illouz, Martin Seligman and Julia De Funès, confront their point of view and decipher one of the most captivating and worrying phenomena of this early century.

Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.

Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...

Haida Gwaii, an archipelago off the west coast of Canada, is home to Skil Jaadee and her family. They live in harmony with nature and have made it their mission to save their language and preserve their history.

American states and parents in both Europe and the United States are engaging in a joint fight against digital giants to ensure their responsibility in the addiction of young people to screens and social media is recognized. Among them, five women have chosen to disrupt their daily lives: Alexis, Kathleen, Elisabet, Laure, and Socheata.

MOLE MAN follows RON, a 66-year-old autistic man who has spent the last five decades building a 50-room structure in his parents' backyard. Using no nails or mortar, Ron instead creates perfectly balanced structures from scavenged materials he finds in the woods outside his Western Pennsylvania home. When Ron's father passes away, leaving him living alone with his 90-year-old mother, Ron's siblings are left to figure out what's best for Ron - who has never been officially diagnosed with autism - when his mother can no longer care for him. In an effort to find the money to keep Ron in his home, his friends team up in search of a mythical mansion Ron insists lays abandoned in the forest. But will they be able to find it? And, more importantly, does it even exist? This is the story of an extraordinary life, a family, and the beauty of thinking differently.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.