Driving Lessons

An Iranian film.

After having medical problems, and after a long time, Mina becomes pregnant, but she feels ignored by her husband, Hesam. Since he has become concerned and involved with the personal and family problems of his colleague Shirin, who has recently divorced from her husband...

An Iranian film

Yahya is a middle-aged man who lives in a small town, a place where he can hide and forget his past, connected to the repression in Iran. One day, his son Nima leaves the house and disappears. Gradually, he distanced himself from Marta, his lover, and sought refuge alone. So, the police department calls and informs that a body that cannot be identified has been found, and Yahya is convinced that his son ran away because he found out his secret. To find him, Yahya will have to face his memories.

A woman of nobility battles patriarchal norms in order to improve educational access for women in early 1900s Indonesian society.

Five girls grow up in China during the first years of the twentieth century. When they become adults they have to learn that women are almost without rights. Other women close to them are suppressed in the most brutal way. When Mingtao is to marry a mentally deficient but rich man, she and her friends decide to escape and to search for the mythical "garden" where a woman's life is worth living.

A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.

Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.

Sarah and Ayda are two close friends, one of whom was notorious and now they must work together to bring their conditions to normal, but they stand to where for their friendship?

Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.

Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.

Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.

Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

Prince Ehtejab, one of the last remaining heirs of the Qajar royal family, is suffering from tuberculosis, which he knows is fatal. He spends his last days alone in the magnificent rooms of his wintry palace, from where he recollects the glory days of his ancestors as well as days of degradation. Among the latter are the gruesome manner in which his cruel grandfather murdered his mother and brother, and the way that he himself caused the death of his wife.

A filmmaker named Hadi is sent to Croatia to complete his research for a film. Aziz, Hadi’s friend, gives him a cassette tape, a piece of image, and a half a piece of plaque in order to find a girl named Fatima. Alongside a Farsi-speaking Bosnian woman, Hanifa, Hadi begins his quest for Fatima.

Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.

A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

Estimados Señores sheds light on the little-known suffragette movement in Colombia. Set in 1954, the film follows Esmeralda Arboleda, a fiercely intelligent leader, who ignites a revolution in a society rooted in patriarchal traditions, culminating in a fierce and decisive debate. A group of women embark on a historic struggle to bring women's voting rights to the National Constituent Assembly. With bold marches, radio appearances and a brilliant media strategy that places them on the front page, they achieve their goal, but the real challenge begins in the debate, where they face fierce opposition. Esmeralda Arboleda must endure personal attacks from the assembly members, and just as she is about to speak, she receives a heartbreaking call: her son has suffered a serious accident. She is torn between her duty as a mother and her commitment to the cause, with an unfavorable outcome.

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

In 1986 Iran, Sahebjam, whose car breaks down in a remote village, enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose arranged marriage to an abusive tyrant ended in tragedy.