The Sámi Has Rights

Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.

A polemic against Werner Herzog and the making of "Fitzcarraldo", exploring the question of the filmmaker's ethical and moral responsibility.

This short impressionist documentary looks at the creation of a Button Blanket by integrating the performance of a traditional dance with the art of the West Coast Heiltsuk Nation.

Resident Orca tells the unfolding story of a captive whale’s fight for survival and freedom. After decades of failed attempts to bring her home, an unlikely partnership between Indigenous matriarchs, a billionaire philanthropist, killer whale experts, and the aquarium’s new owner take on the impossible task of freeing Lolita, captured 53 years ago as a baby, only to spend the rest of her life performing in the smallest killer whale tank in North America. When Lolita falls ill under troubling circumstances, her advocates are faced with a painful question: is it too late to save her?

Five Bolivian indigenous women share one goal: climbing the highest mountain in America.

The historic gathering of three hundred indigenous activists from North, South and Central America who met in Quito, Ecuador, in July 1990 to organize a cross-continental indigenous resistance to the Columbus Quincentennial.

A 13-year-old Indian boy is found unconscious after being attacked in the jungle by the evil spirit Fayu Ujmu. A shaman attempts to ritually tame the spirit and advises the boy’s father to capture it. This story is based on a Chachi Indian legend; it was shot with indigenous inhabitants of the jungle community of Loma Linda, on the Rio Cayapas.

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

Oldemors reise

Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.

Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.

A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.

This short documentary depicts the search, discovery and authentication of the only known Norse settlement in North America - Vinland the Good. Mentioned in Icelandic manuscripts and speculated about for over two centuries, Vinland is known as "the place where the wild grapes grow" and was thought to be on the eastern coast between Virginia and Newfoundland. In 1960 a curious group of house mounds was uncovered at l'Anse aux Meadows in northern Newfoundland by Drs. Helge Ingstad and Anne Stine Ingstad of Norway. Added to the United Nations World Heritage List, l'Anse aux Meadows is considered one of the most important archaeological sites in the world.

The Hopperstad stave church is a marvelous, iconic architectural statement from the fjords of Norway. Replicating the "stavkirke's" spiritual power and beauty became a quest for G.D. "Guy" Paulson of Fargo, ND. His Hopperstad Stave Church Replica is a jewel for the city of Moorhead, MN. Paulson's dream captured the imaginations of the experts, craftsmen, artists, and volunteers who helped him. It is a tribute to those who have gone before and an inspiration to those yet to come.

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.

Waking up in a nightmare before the sunrise of December 30, 2020, the indigenous community of the Tumandok was suddenly surrounded by fear. Panambi features the stories of bright memories of the past and the despair of having now as a mere memory of the future without a trace of justice; how they lived and what they lived for. A decades-long struggle is shot, one in the lens of a mother paralyzed by fear; another from a mother raged and moved by fear—both looking forward to a better tomorrow.