Hair Love

An aging piano player looks back on his life.

Martin visits acquaintances at his local drinking establishment. He has a dark secret. It is uncovered. With hairy consequences.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

Leon's wife wants to surprise him by buying the cabin where they had spent their honeymoon. But when she secretly meets with the man who owns the cabin, Leon misunderstands what she is doing, and gets suspicious. When his friend at work convinces Leon that his wife is going to run away with another man, Leon decides to take immediate action.

Leon's boss buys a racehorse, but doesn't want word to get out that he is the owner, so he has the papers filled out showing Leon as the owner of record. At first, Leon is excited, but the arrangement soon creates difficulty for him. First, he knows nothing about horses except how to bet on them, and second, when his wife finds out, she is furious.

CREMASTER 1 (1995) is a musical revue performed on the blue Astroturf playing field of Bronco Stadium in Boise, Idaho - Barney's hometown. Two Goodyear Blimps float above the arena like the airships that often transmit live sporting events via television broadcast. Four air hostesses tend to each blimp. The only sound is soft ambient music, which suggests the hum of the engines.

Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the ‘Kid’. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train.

An introverted man creates a pillow friend in his hotel room to ease his loneliness but this new friendship is short-lived when the maid makes the bedding again and again.

Three friends go on a mission to find out the answer to a question.

Le Rendez-vous de Noël

Interrogator is attempting to solve a crime but is struggling to break The Hood (Gibby, Bobby, Tommy and Johnny) and their leader (BossMan)

It's business as usual for the mutant denizens of a dystopia not entirely unlike our own in this beguiling stop-motion fantasia.

A daily gif created over 100 days.

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.

John's first independent work from 1989. Won Best of Fest Shorts at the Cinequest Film Festival, CA. The film is comprised of highly rendered drawings with very little moving parts to tell a complex story of relationships "gone to the birds".

Dad irons. Child tidies up. Mum breathes out.

Exposing the agony of the creative pitching process, we hear a director and agency try to one up each other on a call as the commercial plays out.

SEALAND

A woman living in Paris feels neglected by her husband, so she decides to go to New York City and enjoy herself.

Meet Ben - he holds a sign for a living, and he loves his job more than almost anything. But today is his last day.