Spaghetti Wrestling

The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.

Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.

A woman's life is destroyed when she discovers that her husband has another family.

Rituals of performance, symbolic showdowns and murders of father figures, slaughterhouse parties, examinations of prejudice, gender and sexuality.

Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.

Driven by a desire to live forever through cinema, aspiring filmmaker Nathaniel Heaton sets out to fuse his life into the narrative of a movie in this film-within-a-film. Both a dreamer and a romantic, Heaton escapes his estranged relationships, professional failures, and concerns of mortality by retreating more and more into the world of the movie that exists in his imagination... a world where gangsters close in and a struggling old nightclub prepares for what may be its final show.

Performance We Need Buoyancy - (work in progress) is apart of a longer artistic research with Asher Lev based on ecstatic practices. The video shot is taken in Collectif AuQuai in the frame of performance evening Solo Salon 2, 2014 December, Brussels.

The fireworks begin when Madea’s family gathers for her granddaughter’s wedding. As usual, Madea rules the roost, as she and her neighbor, the wacky Mr. Brown, deliver nonstop laughs. Live, love, rejoice...it’s Madea’s Family Reunion!

A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.

Elastic Habitat is an immersive installation - you could call it a kind of playground - that invites you to explore, touch, and even carry textile sculptures. Helena Dietrich designed the textile figures with Janneke Raaphorst, based on one-on-one sessions with various guests. In these discussions, they investigated their personal perceptions of their own bodies. Does your personality completely coincide with this body and everything surrounding it? And if you change it in any way, do you change too? You literally inhabit an imaginary body and thus have the time to explore your own identity in an uninhibited, sensory, intuitive way.

In Edo Japan, a kabuki actor seeks revenge against the three men who drove his parents to their deaths years ago.

Dark fairytale about a demonic doctor who abducts a beautiful opera singer with designs on transforming her into a mechanical nightingale.

Aging opera singer Maria Callas tries to make a comeback by performing in a production of Bizet's "Carmen."

Opening in the seductive style of the sixties, »A Funny Man« uncovers the perennial loneliness that comedian Dirch Passer (Nikolaj Lie Kaas) has found himself in after a fast-tracked rise to fame. He struggles between his own desire to gain critical respect and servicing the audience¿s needs. Costing his kindred friendship to on-stage partner Kjeld Petersen (Lars Ranthe) Dirch takes on Steinbeck's classic »Of Mice and Men«, only for the audience to break out in laughter at his first line. Dirch's Lennie becomes a running joke, and so has, Dirch believes, his own life.

Salomé's story interpreted by a director and a troupe of flamenco dancers.

In Greenwich Village in the early 1960s, gifted but volatile folk musician Llewyn Davis struggles with money, relationships, and his uncertain future.

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

A disparate group of dancers, preferring to express themselves through dance rather than speech, clash with each other and members of the local community.

Sex as a mutual creative gesture.

In the near future plays are staged that feature live murder on stage. Adam Morris, a young struggling actor, has just taken the lead in one. His co-star, Noelle, wants to know why.