Entablado

A brief account of the Spanish-American War (1898) and the end of the Spanish Empire in the Caribbean Sea and the Pacific Ocean.

Growing up in Masbate Province in the Philippines, Jary is neglected and shunned since the moment of his birth for one reason-- his appearance. His older sister, Jessa protects Jary through his early years, then takes him in as a young teen, to raise him alongside her own two children in a fragile house on a hill. Jessa seeks out the medical care Jary has been denied since birth. And more, the support to begin his physical and emotional recovery. Every Day After is a 35-minute documentary film that provides a more nuanced look at the complexities of the healing process we don’t often see. And honors the invisible labor of a sister whose love and action make it possible for Jary to experience the everyday joys and struggles of growing up.

French actress Marion Cotillard travelled to the Philippines to meet with children and young people on climate change and what they want big-polluting governments to do about it. One of the girls she met is Marinel, a survivor of the Super Typhoon disaster in the Philippines in 2013, who is taking action on climate change in her own community. She participates in Plan International’s climate change adaptation projects and now teaches at youth camps to pass on everything she has learnt to the younger children. Marinel travelled to Paris with Plan International for the United Nations Framework Convention on Climate Change (UNFCCC) 21st Conference of the Parties (COP21) in December 2015.

A story of how these two barangays have opposed all measures for a bridge to be put up to link them together and make life easier and productive for them.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

In the north of the Philippines lies the area of Banaue, known for its rice cultivation. Roger lives here in a small village. Roger is thirteen and has five brothers and sisters. As the oldest, he is responsible for the daily firewood. To get this, Roger sets off into the mountains every other day. At seven in the morning, they start. A truck takes Roger and his four friends out into the steep, forested slopes above the rice terraces. With them on the back of the truck are the 'scooters', homemade wooden scooters with which the firewood is driven down to the valley. Once they reach the top, they cut down smaller logs, chop them up and pack their scooters full of them. After this strenuous work, the great fun begins. On bumpy paths and at breakneck speed, they make their way back to the village. Races and tricks are part of the fun, of course.

One woman’s journey through a century of love, war and discovery. Curiosity, Adventure & Love is a the story of a woman raised by fate to go boldly where few young women of her time and upbringing would go, into the arms of chance and life. A young American woman leaves her country and all security behind, to begin an adventure in the Philippines that would witness the birth of a nation, a cruel war and Occupation and reconstruction. Jessie is a striking personality, somewhere between Scarlett O’Hara and Amelia Earhart, who knew no boundaries and flew far ahead of her times, without regard to sex or society. Her story of a century well-lived is both rich and one that should restore our faith in our own humanity.

In the Philippines, the reefs, coasts and islets of the island of Palawan, the Straits of Balabak and the Sula Sea are amongst the richest in biodiversity on Earth. Some scientists claim that the entire submarine wildlife of the Pacific originated from this area. The coral is magnificent and the protected sites offer an incomparable vision of marine life to scuba divers from all over the world. However, since the end of the Second World War, Philippine fishermen have been fishing with dynamite all over the coral reefs of this marine Wild West. Today, far from diminishing, this form of fishing has taken on industrial dimensions and 50% of the coral has been destroyed, turning this underwater Eden into arid desert…

The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community. It is a story that deserves to be told, a story that will resonate with audiences of all ages and backgrounds.

The unfinished movie of the late Celso Ad Castillo now a Cinema One Originals documentary film.

Once upon a time, you were born. In the Philippines, there was no science education when you were a child. When they began to offer it in your adulthood, you leapt at the chance and studied harder than everyone else. You learned of kingdoms and species and genes and atoms. Science helped you to see the bigger world beyond. You studied so well, an American university paid you to keep studying with them, so you left. You gained mastery over the evolution of birds there, but you missed home the whole time. You lost your first wife and son to Science. So with degree in hand, you went back to your people. You found that they had burned their forests, and had exploded their seas. So you gave a new bird to your people; because, now you knew how to use it to save them. This was the piding. And the rest is the story of Oliver Carlos.

Forbidden Memory summons remembrances and memories of the fateful days in September 1974 when about 1,500 men from Malisbong and neighboring villages in Palimbang, Sultan Kudarat were killed while 3,000 women and children were forcibly taken to naval boats stationed nearby where they encountered unspeakable horror. For 40 years, the survivors lived in relative silence. Now they tell their stories.

Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.

Reviews the history of the Philippine Islands under Spanish and American rule. Shows country today with its emphasis on agriculture, and contrasts the rural life with the urban existence in the port of Manila.

A 2012 documentary about the making and the legacy of the 1982 drama masterpiece directed by Ishmael Bernal that ended up being one of the greatest Asian films of all time. The revelations about the theory of "Who killed Elsa?" will be answered and also, the impact of the film to the Filipino culture and society.

The Jeepney is a common affordable transportation in the Philippines. Made from abandoned American Jeeps during World War II, the Jeepney remains a symbolic figure of the Philippine identity.

A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.

The tale of an activist’s journey during the turbulent years of Martial Law, until his capture in the mountains and the dark, nine years of imprisonment that followed, leading to his birth as a poet.

Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.