Dicktatorship

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

It created one of the most memorable days in grand tour history. Riders such as Andy Hampsten and Franco Chioccioli share their extraordinary experience of a day they'll never forget.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

"...a charming depiction of life as I knew it with my grandparents in my own village..." Clara Caleo Green, Cinema Italia UK "The sum of the individual fates and life choices paints a picture, the validity of which extends far beyond this village." Joachim Manzin, Black Box This documentary records the thoughtful and emotional confrontation with time, change, loss and hope related by the members of a small community in the idyllic Ligurian countryside who are dealing with a rapidly changing agricultural industry, transformed by globalisation and technological advances and an increasing number of foreigners buying the empty houses in their village. Forgoing the use of music and voice over, the film lets Aracà's inhabitants tell their own stories and allows the audience to dive into the rich soundscape of the ligurian alpine countryside.

The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.

From 1940, around 25,000 Dutch people served in the Waffen-SS. In spite of their large number, they did not make much public disclosure after the war. Eight Dutch former SS men tell their story in this documentary. Never before have former SS men talked so openly about their motives, their (wrong) acts, their experiences on the (Eastern) front and their struggle with the memories of the past.

A fascinating journey through the natural beauties and artistic masterpieces of Italy: the treasure houses of art, world-famous locations, great archaeological sites, festivals, folklore and dozens of other famous and not-so famous places in "the most beautiful Country in the world".

The Italian Character: a film within music and about music. The Italian character is the story of one of the most renowned orchestras in the world, enriched by archive material of the last thirty years about the great conductors who have been performing on the most famous rostrum in Rome.

The film reconstructs the mysterious story of the 1942 Patagonia World Soccer championship, never acknowledged by the official sports organizations, and which for decades have remained shrouded in legend without the winner ever being known.

In the late-80s and early-90s, two prosecutors went after the mob in Sicily. Archival footage, gruesome photographs and new interviews are shown.

On the morning of 10 March 2020 all Italians woke up in quarantine. Io Resto a Casa ("I Stay Home") depicts the filmmaker's first 14 days of the Italian lockdown, without ever leaving the house, made entirely on the web through the stories of five Youtubers and dozens of videos and photographs made and shared all over Italy. Fourteen days of fears, hopes, enthusiasm, boredom, normality and extraordinariness. Fourteen days that we will always remember.

An account of Adolf Hitler's rise and fall, his relationship with Eva Braun and their days of leisure at the Berghof, their Bavarian residence.

A docu-film that traces the victorious ride of Mancini's Azzurri, from the debut match to the final against England. A troupe lived with the Azzurri for a month, to bring the spectators into the lives of the players and all the members of the staff, between training sessions, matches, travels and celebrations. An adventure told through the voices of the protagonists, who confided dreams, joys, pains and hopes to the cameras. "Blue Dream, the road to Wembley" is the completion of a project started a year ago together with the FIGC, to tell the national team's approach to the European Championships through the 4 episodes aired in the days immediately preceding the European Championship, bringing the new television language of the docu-series to one of the most important time slots of the first generalist network. "Blue Dream, the road to Wembley" is a project of the New Formats Development Department

In the realm of contemporary music, Adam “Nergal” Darski surely needs no further introduction. Yet the guitarist and singer has even made inroads into general pop culture and shaped social discourse, all the while not moving away an iota from the underground ethos his ongoing career is based on. Rising from his humble beginnings in Cold-war Poland to global fame with his band Behemoth, striving for musical excellence throughout the ignominies of life-threatening illness and dubious legal battles, staying deeply spiritual and focused during even the most casual appearances in mundane limelight, it is safe to say the 1977-born has many faces, the sum of which defies categorization. Satanist or dexterous money spinner? Academically certified historian or shallow media figure? Inspired and inspiring spokesperson of a generation or mere agent provocateur? Make your guesses...

Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.

In Idaho, right-wingers, racists and conservatives are gathering. They reject the state and want to make their own laws. Right-wing militias such as the North Idaho Militia have been active in the region for a long time. Together with the ultraconservatives, they are fighting against a multicultural America and for a new white and Christian colony, separate from the rest of the United States. But the sparsely populated countryside attracts not only radicals, but also more and more middle-class families from the cities. They are excited by the spectacular scenery and the low cost of living. And they want their children to grow up in a supposedly perfect world.

Dix Jours dans la guerre d'Espagne

The representation of women in contemporary Italian media