The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?
Refusing to allow fate to decide whom she must marry, Princess Songhwa decides to find her own husband. She seeks the help of a man to interpret her marital harmony with four men she wishes to marry.
A triangular relationship between Eo Woo-dong, her husband Lee Dong, and fantasy character Moo-gong, highlights on the first half of the Joseon Dynasty and portrays the contradicted life of the high class people, criticizing the modern day Korean society.
There was Goo Ma-jeok before there was Kim Doo-han. Goo Ma-jeok had the strongest power in all of Joseon. He was the boss of Umigwan and a legendary man from the streets of Jongno. A new 'Age of Wild Men' begins.
Prince Yeonsan-gun attempts to sexually harass Yahwa, the wife of Yun Pil-u who was beheaded after being branded as a traitor. Yahwa commits a suicide following her husband but, before she dies, has already asked her cat to make revenge. Since that time, the bodies of the court ladies and the patrol guards are found every morning and ghosts of Pil-u and Yahwa regularly appear along with the mewing sound of the cat. Kim Chung-won, head of the guardsmen and also a former friend of Pil-u, borrows the supernatural power of a senior Buddhist priest and succeeds in getting rid of the ghosts for the peace of the nation.
After being blinded in a coup against the king, Joseon's greatest swordsman goes into hiding, far removed from his city's anguish. But when traffickers kidnap his daughter, he has no choice but to unsheathe his sword once more.
A brilliant general distinguishes himself by protecting the dynasty's borders while keeping an eye on one of the sons of the king.
During a time of poverty and despair in the Joseon Dynasty of Korea, a satirical street play that pokes fun at the ruling class while giving a prophecy of ‘a new leader to save the world’ becomes immensely popular among the people. The author of the fable, Heung-boo, subsequently gains fame around the country and is sought after by both the oppressive political power and the rebellion leader who want to use his name and talent for their differing agendas.
The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army’s rescue at Noryang Strait.
Ancient Korea, 1728. Swordsman Kim Ho, guard of King Yeong-jo of Joseon, is demoted and sent to work in Uigeumbu prison. When night falls, the prison is assaulted by the master warrior Do Man-cheol and his powerful henchmen for the purpose of freeing Lee In-jwa, who has been condemned to death for rising up in revolt against the king.
Ancient Korea, 1506. The tyrannical King Yeonsan-gun of Joseon is overthrown by his half-brother Jung-jong, whose reign begins with a blood bath. Over the years, traitors plot against him, sinking the kingdom into chaos. In 1528, frightened rumors come to royal palace, regarding a mysterious creature, known as Monstrum by the peasants.
In the household of Lee Gyeong-jin, a high-ranking official of Joseon Kingdom, three sons die from an unidentified horror. A woman pregnant with a child of the third son soon learns of the evil spirit that haunts the house.
Jeong Jo holds a birthday party in the new Hwaseong Temporary Palace to celebrate his mother Princess Hong's 60th birthday. He elects his father Prince Sado in the name of King Jang Jo and Princess Hong meets the ghost of the dead Prince Sado. She follows her memory and retraces the steps back into her past life, going back and forth the boundaries of life and death.
Living a torturous life of poverty and barely able to survive, Hwa-yeon decides to offer herself as one of the king’s concubines. Once inside the royal palace, two men are immediately seized by the woman - the Grand Prince Seong-won, a megalomaniacal ruler drunk with power and lust, and Kwon-yoo, who has everything to lose if his desire for Hwa-yeon is exposed.
Four short stories examing the lives of women in the last 18th and 19th century Story 1: 'Wives Should Be Submissive'--A father tries to marry his daughter into a wealthy family. Story 2: 'A Daughter-In-Law Is No Better Than A Stranger'--A woman thinks that her daughter-in-law has turned her son against her so she tries to kill the younger woman. Story 3: '7 Grounds For Divorce'--A wife begins an affair with her servant because of her husband's impotency Story 4: 'Prohibit Sex In Court'--A concubine's life is at risk when it is revealed that her infant child is not the king's.
Er Woo Dong translates to "entertainer," a rough approximation of the duties of 14th-century Korean courtesan Er Yoon Chang. After a lifetime "in service," Er Yoon Chang retires to a faraway village. Meanwhile, her powerful father, ashamed of his daughter's lifestyle, dispatches an assassin to do her in. Er Yoon Chang is protected by her faithful deaf-mute bodyguard, but only up to a point.
Jeong-ho is castrated by an ambitious minister for loving above his station. The minister also happens to be the father of Ja-ok, the girl Jeong-ho loved. He sends his daughter to the king as a concubine in a bid to gain favor, but the king sees through his motives and the instead forces Ja-ok into the position of a lowly kitchen maid. Jeong-ho sole hope in life is to save his former lover.
왕과 사는 남자
Aimless after failing in several public tenders, a young man ends up meeting the best chef in the region and falls in love with the world of cuisine that he shows him.
During the Joseon Dynasty, lowborn Chae-sun challenges the rule that states only men allowed to sing while navigating devotion to her teacher and the demands of the king's father.