Suffering child abuse marks you, conditions you and limits you. But what's next? 7:11 Cuarzo is a documentary short film that delves into the consequences and shows us various ways of experiencing grief after suffering it: the aftermath, the path after breaking the silence and destroying the stigma. It talks about the treatment and care of wounds with testimonials from those who have suffered abuse and aggression. Learning to live again when the most precious thing, innocence, is taken from you.
Documentary re-examining the trial of Louise Woodward for the murder of eight-month-old Matthew Eappen 25 years on. The three parts focus on the prosecution case, the defence case and the impact of the case.
Juana, Mar, and Eduardo tell their stories of abuse.
A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.
December the 31th, 2003. Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old and resolves herself to bring it to him in person, wherever he may be.
In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.
Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.
The jaw-dropping story of Carl Beech, a former nurse from Gloucester who claimed he had been sexually abused by a group of prominent men in the 1970s and 80s.
A poignant all-Indigenous English and Cree-English collaborative documentary that breaks long-held silences imposed upon indigenous children who were interned at the notoriously violent St. Anne’s Residential School in Fort Albany First Nation, Ontario. Use of a homemade electric chair at St. Anne's and the incorporation of testimony about student-on-student abuse makes this documentary stand apart from other films about Canadian residential school experiences. This film will serve as an Indigenous historical document wholly authored by Indigenous bodies and voices, those of the Survivors themselves.
An examination of sexual abuse in the Catholic Church, the film centres on Rod McLeod, a man who is suing the church for restitution after having been abused in childhood by priest William Hodgson “Hod” Marshall, and includes testimonial interviews from some of Marshall's other victims.
Terrified of stories of girls bleeding to death, young Tanzanian children face a terrible choice: whether to submit to female genital mutilation and child marriage, or risk their lives and run away from home. Rhobi Samwelly, a brave local hero, stands up to her community and provides a Safe House to protect the courageous girls. Although female genital mutilation (FGM) is harmful and illegal, in Northern Tanzania it is widely believed that girls' clitorises must be cut off to reduce promiscuity. Mutilated girls also demand twice the bride price as uncut girls. The chillingly named 'cutting season' runs through the school holidays in December. Now, some of the most courageous girls in the world, some as young as eight, are leaving everyone they love behind to run to a Safe House, not knowing if they'll ever see their families again.
Religieuses abusées, l'autre scandale de l'Église
The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.
Social workers dispel myths about why children are removed from their biological parents, breaking down their overwhelming workload. Lawyers uncover the harsh reality of young children navigating the legal system. Advocacy organizations try to keep children safe and away from predators. An eclectic array of interviews from foster care alumni explore their connections (or lack thereof) with social workers, the fragile bond with each foster home, how trust can fall apart, and how those unable to adapt spent time in group homes. The film concludes with alumni success stories, working to remove the stigma of foster care.
A look at the Turpin family case
Manuel Barbero, father of a sexual abuse victim, and Joaquin Benitez, the pederast who abuse the son of Manuel and 20 more children, are the main characters of this documentary. The director of the film approaches these key figures of this story with a work of journalistic investigation. For the first time, a pederast speaks and confesses with his face uncovered in a documentary.
Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.