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On the phone with a rich man whose son he has kidnapped, with whom he hasn't had contact for fifteen years, the kidnapper gives him the chance to save his son's life and rebuild their relationship.

As an American civilian truck driver working in Iraq, Paul Conroy's convoy is attacked by a group of Iraqi insurgents. Some time later, Paul awakes in a coffin with only a lighter, a cell phone, and his ever-growing anxiety. Faced with a dwindling oxygen supply and a dying battery, he must fight panic, despair, and delirium as he races against time to escape the claustrophobic death trap.

Police officer Asger Holm, demoted to desk work as an alarm dispatcher, answers a call from a panicked woman who claims to have been kidnapped. Confined to the police station and with the phone as his only tool, Asger races against time to get help and find her.

A man awakens in a car wreck at the bottom of a steep cliff. He can't remember who he is or how he got there, but a report over the radio fills in some of the blanks, as it describes a violent bank robbery and names a perpetrator who happens to be sitting dead in the back seat.

When my friend Whitney added me to her ABC’s of Quarantine Film Festival lineup in March, I was excited and then immediately thought about the things I didn’t have: a camera, sound equipment, access to other people, fancy skills or experience “like everyone else”...I wanted to make something but figured I probably couldn’t. Then for some reason on May 20th, I decided to think about what I did have: an idea, my cousin’s house to myself for the day, an iPhone and some editing capabilities, and then I just went for it. I learned some new things like: creative endeavors don’t have to come with ~ideal circumstances~ to be worth your time/effort/attention. My letter was W and the only rule was it had to be under 5 minutes :)

A demoted police officer assigned to a call dispatch desk is conflicted when he receives an emergency phone call from a kidnapped woman.

Ivan Locke has worked hard to craft a good life for himself. Tonight, that life will collapse around him. On the eve of the biggest challenge of his career, Ivan receives a phone call that sets in motion a series of events that will unravel his family, job, and soul.

A lonely character in a deserted world watches as it goes up silently in flames.

During a nighttime ride, a taxi driver tells a passenger strange stories that occurred in different neighborhoods and decades of the city, transforming the young woman's perspectives and beliefs about the region.

3

Out of breath

This very dark, very Gothic and very grim medieval horror follows the tumultuous reign of Queen Ginnarra and her mounting obsession to murder her exiled brother, the prince, by any means possible. No matter the cost in blood, lives or even souls.

La otra yo

Victor and Ben, in their thirties, have plans to open their own hairdressing salon. Victor manages to convince Célia, whom he knew while still at the hairdressing school, to follow him on the adventure.

Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.

Satoshi returns to Taketomi Island to take part in his grandmother's 97th birthday 'mandala' party, a special celebration that's unique to this island. Just as he arrives at her house, he learns that she has just passed away. The next day from his grandmother's diary, they discover a long kept secret...

SherDil follows it's lead character Haris Mustafa, as he journeys from the academy to becoming a Flt Lt in the PAF, chasing his goals that are layered with personal and professional challenges.

The Blue Virgin

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?