Horowitz in Moscow

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

2019 marks the 30th year since the fall of the Berlin Wall and the end of the Cold War. Rich Hall examines the relationship between the West and the USSR in his inimitable fashion.

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.

An aspiring classical pianist loses his hearing and, with the help of those closest to him, must find the strength to play again. . .

RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

In his second acoustic music special, acclaimed pianist Arthur Hanlon once again joins forces with a roster of all-female artists to perform acoustic renditions of their most successful songs alongside Latin hits.

Starting in 1881 this film shows the personal battle between Lenin's Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.

A washed-up '80s pop star gets a chance at a comeback when reigning pop diva Cora Corman invites him to write & record a duet with her, but there's a problem--Alex hasn't written a song in years; he's never written lyrics and he has to come up with a hit in a matter of days.

Pollini plays flawlessly, with the greatest finesse and sensitivity, very much in tune with each composer's personal style. His performances are exemplary in every respect. The video and audio are quite acceptable, given their 1970s vintage. Böhm and Abbado are at home in this repertoire, and the Wiener Philharmoniker in excellent form, notwithstanding a few strange noises coming from the horns.

For months, the FBI have been investigating Russian interference in the American presidential elections. ZEMBLA is investigating another explosive dossier concerning Trump’s involvement with the Russians: Trump’s business and personal ties to oligarchs from the former Soviet Union. Powerful billionaires suspected of money laundering and fraud, and of having contacts in Moscow and with the mafia. What do these relationships say about Trump and why does he deny them? How compromising are these dubious business relationships for the 45th president of the United States? And are there connections with the Netherlands? ZEMBLA meets with one of Trump’s controversial cronies and speaks with a former CIA agent, fraud investigators, attorneys, and an American senator among others.

The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

In this recording, seven-time GRAMMY® Award-winning pianist and conductor Daniel Barenboim tackles the so-called 'New Testament' of music, Ludwig van Beethoven's thirty-two piano sonatas, composed over twenty-five years and embodying the shift of musical taste from the Classic to the Romantic, their performance requires a musician of extraordinary versatility. Daniel Barenboim is one such pianist his recordings run the gamut from Bach and Mozart to Bruckner and Bartók.

Follows the lives of Boris and Masha Rak, Soviet Jews who in 1934 moved to the Jewish Autonomous Oblast.

Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.

A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.

A teenage pianist delivers a chilling performance.

Iwan der Schreckliche

The lifestyle, self-styling and political opinions of Chechen dictator Ramsan Kadyrov are examined in this documentary.

Internet songwriter Chow (Cherry Ngan) is gifted with an extraordinary retentive memory. She never forgets anything she has heard. One day, she was kidnapped by Yung (Ronald Cheng), a street punk, to a remote fish raft so desolate that an escape plan seems to be a mission impossible. In the hope to flee with the only ability she has, Chow offers to give a spiritual music therapy to the rather maniacal kidnapper. What happens next is beyond anyone’s imagination – the two who have nothing in common begin to form an intimate bond and connection through music. More than that, Chow finds immense inspirations on this “floating stage”, while discovering the incredible singing voice and vocal range in Yung – a seemingly hopeless criminal can also possess a voice as captivating as the sound of nature…