The Three Musketeers
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
In 2003, British glam rockers The Darkness took the world by storm with their smash hit single "I Believe in a Thing Called Love". Then at the height of their fame, the band split up and fell into obscurity. 20 years on from their platinum-selling debut, Justin Hawkins, his brother Dan, eccentric bassist Frankie Poullain, and new drummer Rufus Taylor tell their story.
A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene
-- Opening - Jon Stewart -- -- The Seventh Seal -- -- Big Fat Money -- -- Don't Tell Me(What Love Can Do) -- -- Amsterdam -- -- When It's Love -- -- Feelin' -- -- Edward's Solo -- -- Why Can't This Be Love -- -- Finish What Ya Started -- -- Right Now --
Light the Rock 'n Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame. Set in the hardships of North England's seventies working class society and music scene. This build-up from rags to riches is a parody of realism and grit, with double-dealings and harsh unforgiving dog eat dog mentalities, and the golden rule; if you play with matches then you're going to get burnt, in the flames of the music industry.
Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.
In 1973, Sweet were the subject of a documentary All That Glitters for BBC Schools series Scene. Being intended for “educational purposes,” the program had to pose a relevant topic for debate among its teenage audience—in this case, “Is the music business really that glamorous?” Over a period of two to three days, Scene followed the band members Brian Connolly (vocals), Steve Priest (bass/coals), Andy Scott (guitar) and Mick Tucker (drums) as they rehearsed for a Top of the Pops appearance (which led to an outcry over Priest’s Nazi outfit) and their (now hailed as “legendary”) Christmas show at London’s Rainbow Theater.
The young and reluctant new owner of Camp Minneshanka stumbles upon an old staff training video, unleashing a vengeful spirit that wants just one thing: to make a music video.
Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of Swan's new rock palace, the Paradise.
1. Tragedy 2. Motorvatin' 3. Boulevard Of Broken Dreams 4. Street Poetry 5. Cafe Avenué 6. Obscured 7. Hypermobile 8. Fashion 9. Love's An Injection 10. Whatcha Want 11. 11 Problem Child 12. Mental Beat 13. Underwater World 14. Power Of Persuation 15. A Day Late, A Dollar Short 16. I Can't Get It 17. Back To Mystery City 18. Until I Get You 19. Beer And Cigarette 20. Worldshaker 21. Don't You Ever Leave Me 22. 11th Street Kids 23. Malibu Beach 24. High School 25. Travelin' Band 26. Taxi Driver 27. Lost In The City 28. People Like Me 29. Delirious 30. Oriental Beat 31. Million Miles Away 32. Up Around The Bend Buried Alive is a concert music video by the Finnish glam punk and rock band Hanoi Rocks. The video was recorded at the Tavastia Club in Helsinki of the band's final show. The band's original rhythm guitarist Nasty Suicide appeared as a special guest on this (last show).
The Nottingham Tapes is the second concert video released by the Finnish glam punk band Hanoi Rocks. The first video released by the band was All Those Wasted Years, recorded at the Marquee Club in London. As stated in the title, this video was shot at the Nottingham Palais in Nottingham England. The video was shot on April 23, 1984, almost eight months before the death of the band's drummer Razzle. The video features songs that would later be released on the band's next album, Two Steps from the Move, such as "Underwater World", "Don't You Ever Leave Me" and the cover of "Up Around the Bend". During the performance of the last song of the set, the cover of the Ramones "Blitzkrieg Bop", vocalist Michael Monroe and Razzle switched places, so Razzle sang and Monroe played drums. While playing the song, fans jumped on-stage, and bouncers had to come and throw the people off the stage.
Teenage groupie Dorothy rides with a small-time rock band when, suddenly, the van runs off the road, and she hits her head. She awakes in a fantasy world as gritty and realistic as her own and learns that her arrival killed a young thug. A gay clothier, Glyn the Good Fairy, gifts her a pair of red heels as a reward to help her see the last concert of the Wizard, an androgynous glam rocker. As she's pursued by the late thug's lecherous brother, she befriends a brainless surfer, a heartless mechanic, and a cowardly biker.
The worlds of glitz, glam, and pop-rock fused immortally on Goodbye Yellow Brick Road, born of the formidable partnership of Elton John and Bernie Taupin. This 1973 double album may well have been the peak of their collaboration. Ranging from perennial favorites like "Candle in the Wind," "Bennie and the Jets," and the title track to more ambitious compositions like "Funeral for a Friend/Love Lies Bleeding" and everything in between, Goodbye is unmatched in its depth and scope. This entry in the Classic Albums series of DVDs documents the often tumultuous writing and recording sessions for that masterpiece through vintage clips of the musicians in the studio and new interviews with Elton, Bernie, producer Gus Dudgeon, and the band members. We may never know how the John-Taupin team achieved their magic, but this release offers a both a peek at the process and a few reasons why the album endures today.
A rock band called "The Clowns" comes under suspicion of murder when several prostitutes are killed by individuals made up like members of the band.
British hard rock band Def Leppard are celebrated in this compilation of 2 of their best-selling video releases. HISTORIA is a collection of all 17 music videos that the band put out from 1977 to 1988, including such hits as "Photograph," "Animal," and both the U.S. and U.K. versions of "Pour Some Sugar On Me." IN THE ROUND IN YOUR FACE is a live concert film which captures Joe Elliott and the boys in raucous performances of hits like "Hysteria" and "Bringin' on the Heartbreak."
The documentary depicts Bowie on tour in Los Angeles, using a mixture of vérité sequences filmed in limousines and hotels, and concert footage. Most of the concert footage was taken from a show at the Los Angeles Universal Amphitheatre on 2 September 1974 (Also featured are excerpts from D.A. Pennebaker's concert film shot at London's Hammersmith Odeon on 3 July 1973). Cracked Actor is notable for being a source for footage of Bowie's ambitious Diamond Dogs tour, and also for showing Bowie's fragile mental state during this period.
A reckless joyride into the darkest corners of popular music that delves deep into the mind of Mick Rock, the genius photographer who immortalized the seventies and the rise to rock stardom of many legendary musicians.
In the late 1970s, rock 'n' roll was banned from television. One young man, our hero, led the battle against the TV ban. He searched the country for the biggest rock groups to perform at a concert in support of his cause. But the enemies of rock 'n' roll had other plans... The zany, madcap Never Too Young To Rock was made at the high point of glam rock in 1975. It offers a unique opportunity to experience the driving, feelgood sounds of the era’s top pop combos in their pomp. From the infectious choruses of Mud’s ‘Tiger Feet’ and ‘The Cat Crept In’, through the catchy doo-wop of The Rubettes, to percussive anthems like The Glitter Band’s ‘Angel Face’, this film provides aural nostalgia at its most intense.
In 1971, rock star David Bowie travels to America for the first time to promote his third album, The Man Who Sold the World. There, he embarks on a coast-to-coast publicity tour. During this tour, Bowie creates his iconic Ziggy Stardust persona, inspired by artists like Iggy Pop and Lou Reed.