A college freshman joins her university's rowing team and undertakes an obsessive physical and psychological journey to make it to the top varsity boat, no matter the cost.
This debut film harks back to the moral debate that has dominated Thai popular culture for the past twenty years. Two boys from a working-class family grow up as best friends. One is the son of a farmer, the other of a Thai-Chinese greengrocer. In a childhood scene, we see the boys wondering how to get ahead in life. Instead of the usual options - showbiz or Thai boxing - they choose to follow in the footsteps of their fathers: one wants to become a rowing champion and the other leader of a dragon dance group. The film is a simple moral tale of fathers and sons, good and bad influences, honor and shame. The screenplay breathes the atmosphere of early Thai cinema with a strong melodramatic tone, but its exaggeration and predictability are offset by the dynamic camera work and editing, the decent acting and the unusual glimpse into the world of the Chinese minority in Thailand.
La Musica
A notorious smuggler Waltair Veerayya is hired by a CI Seethapathi, reaches Malaysia with the ostensible mission of kidnapping a drug mafia leader named Solomon, who escaped India after wreaking havoc on the RAW agents and local policemen. Veerayya manages to pummel Solomon, who is fiercely protected by his ruthless gang-lord brother Kaala. Tables are turned, when Veerayya reveals that he shares a turbulent past with Kaala & an ACP Vikram Sagar who is hell-bent on ending his smuggling activities.
Briton Robert Clayton's business flourished and when his son Donald reached the right age he became a partner. The Claytons have found irreplaceable help and a friend in the board of directors and authorized signatory Josef Chwostik. But gradually the authorized signatory is drawn into the private life of father and son. An orderly world - or so it seems. You make a career, maintain business relationships, win or lose a lover - and don't want to see the cracks and voids in the foundation of society.
Genvieve, a French farm girl, finds herself caught in the middle of a WW2 battle between the Germans and Americans.
Love turns into heartache as a young man worries about the insanity that runs in his family and whether his baby will be affected by it.
Ap-lok river flows between North Korea and China. A point along the river runs about 48 meters. There, North Koreans risk their lives by trying to cross the river. Real stories of those people who attempt to cross the river are told.
The lives of three young men from Taiwan who are loosely connected by geography and a common pursuit of the attention of Jane, collide in a film that purposefully obscures the boundary between narrative fiction and documentary film.
A teenager wanders his neighborhood, drifting in and out of the lives of friends and strangers.
An investigative journalist is found beaten to death in his home, where the fingerprints of a notorious criminal debt collector are also found. The murdered journalist has been threatened by right wing extremists, but it is the victim’s work with a book about “society’s dark side” that captures the Beck group’s interest. When the case takes an unexpected and terrible turn, there is suddenly much more at stake than finding the journalist’s killer. Martin Beck and his colleagues have never had to protect the balance of their professional and private lives with the same tenacity as they do now.
Samson Cazalet, Taxi driver in his thirties, picks up a client at the airport. The same evening, the daughter of the woman disappears and the overwhelming evidence points to Samson. How can he prove his innocence when he is the ideal suspect?
Madrugada de Sangue
Can you walk around completely unnoticed for a day?
The film takes place in Ireland – an Ireland where people speak Catalan with a Fassbinder accent – from the 1930 to today, and follows in several parallel directions the sprawling saga of two rival gold mines, the exploitation of artists by Capital, and the simultaneous opening of a brothel where women do not like men. Because he does things his own way, Albert Serra’s most narrative and wordy film was not meant for cinema: produced by the Venice Biennale, it was part of an installation, its chapters shown simultaneously on several screens. Singularity could very well have been called “Velvet Goldmine”, as it sings the meeting of brothels and tunnels, of a golden stud and lustful bodies (both shown as abstractions).
As her classmates prepare for their First Holy Communion, Rubai announces that she is an atheist and refuses to participate.
After eight years of close collaboration with her supervisor, Mathilde suddenly finds herself inexplicably victim of moral harassment by him. In parallel, Thibault has just split up with his girlfriend after a frustrating two-year relationship where they exchanged very little. Mathilde and Thibault have never met, they are just two figures among millions of others. Two people who may bump into each other or who may merely pass each other by. But one day in September, their paths meet.
Mourning his brother's recent death, Pierrick accepts his best friend Tessa's invitation to stay in her family home — at last, a week alone. But when her gets there, he finds the house already occupied by Tessa's sister Marie.
Thirteen years after the genocide, we meet a family man in Rwanda who suffers from a bad conscience. The evening before the genocide started he raped a young woman and left her to her self. He has been unable to forget her ever since.
Sasha, a young woman from Mexico meets Damian, a man from Angola. They begin a relationship in Los Angeles, CA. She invites him to her hometown in northern Mexico for the weekend. This loveless romance quickly turns into a roaring silence when both try to tear down each other's walls.