Upa! Remasterizada

Katelyn discovers she is a character in a film after fighting back against 'The Narrator' that controls her life.

When Norman Graysmith is invited into the home of an aspiring serial killer, Aidan Mendle, he believes he has the subject for the documentary that will make his career.

A budding director endeavors to research a merciless gangster for making a film on gangsterism. But his secret attempts to conduct the research fail when he gets caught for snooping.

An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.

Many exotic characters meet in São Paulo night, looking for love and adventure: Malu, a model; Mauro, a drag queen; Teddy, a hustler; Guto, a gay reporter; and Marta, an actress.

A notorious gangster is incited to transform into a film hero and opts for a filmmaker and their project descends into a scenario they had never anticipated.

Gabe has a burning fire in him to make his mark on Hollywood with his crime spree movie, but no one wants to give him funding. After a chance encounter with a thief named Gideon, Gabe decides to shoot his movie guerilla-style, robbing convenience stores, filming the whole thing. There's just one little problem; Gideon has been keeping the money (hey, old habits die hard). Now the filmmakers are wanted felons, with the police hot on their trail.

Kevin Hart - playing a version of himself - is on a death-defying quest to become an action star. And with a little help from John Travolta, Nathalie Emmanuel, and Josh Hartnett - he just might pull it off.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

Josef finds a propeller hat and does everything he can to be able to fly with it. That's roughly the short film narrative of film student Claudius, who does everything in his power to finally shoot his graduation film. But making films isn't that easy, not to mention flying.

London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.

Two people attempt to create a film for a local film festival, but the clock is running because they have 52 hours to write, direct and release a film.

A novelist imagines the murders of his fellow tenants...

Nobody's home, so Tom invites his alley cat friends in to look at home movies (clips from earlier cartoons where Tom gets the drop on Spike). While they're showing them, Spike sneaks in.

A film student at Ryerson University struggles to complete her thesis project.

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Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!

A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.

A love triangle develops between the male and female leads and the director during the making of a musical in Mainland China.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?