Bringing Home Father

A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.

A Playboy inherits a Western ranch on the condition that he shall run it properly for 6 months. A villain makes an attempt to distract him from reaching the goal, but he, no longer the wastrel of yore, persists and becomes full owner of the property.

Brewster, the bean king, has an option of renewal on a certain bean canning plant owned by Ellis. Ellis does not want to renew so hires shyster lawyer Wingate to help him. Brewster sends Betty to renew the contract but Ellis declines. Later Brewster sends his lawyer along with Ellis' man to persuades her that he isn't crooked. There follows plot and counter-plot, but innocent Betty carries the day.

Harpo played the hero, a detective named Watson who "made his entrance in a high hat, sliding down a coal chute into the basement". Groucho played an "old movie" villain, who "sported a long moustache and was clad in black", while Chico was probably his "chuckling [Italian] henchman". Zeppo portrayed a playboy who was the owner of a nightclub in which most of the action took place, including "a cabaret, [which allowed] the inclusion of a dance number". The final shot showed Groucho "in ball and chain, trudging slowly off into the gloaming". Harpo, in a rare moment of romantic glory, gets the girl in the end. This film is lost.

The Fable of Elvira and Farina and the Meal Ticket is a 1915 silent film directed by Richard Foster Baker. Gloria Swanson made her first credited appearance in this film as Farina.

Four heirs to a family fortune are summoned to appear at the family estate for the reading of the will, where they meet the estate's staff, which includes a nurse, a crazed doctor, and a sinister handyman.

Rivalry between two behavioral scientists gets out of hand...

Austin Starfield has his greedy eye on a steel mill belonging to Eve Burnside. He persuades an impoverished count, Leon Molnar to marry Eve so he can then gain control of her fortune.

The Man Upstairs is a lost 1926 silent film comedy directed by Roy Del Ruth and starring Monte Blue. It was produced and distributed by Warner Brothers. The film is based on a novel, The Agony Column by Earl Derr Biggers.

A maid is forced to take the place of the lady of the house when she is temporarily incapacitated.

First Pa said Theodore was a lizzy-nizzy. He let that go, but when Pa said he was too sporty because he spent a nickel for a ticket for a voting contest for the fairest girl in town, Pa's daughter, of course, then Theodore decided to settle Pa. He played at being a lady. Then Pa said he might not be as young as he used to be, but Ma came along. So Pa said all on the sly, "Go to it, Theodore."

Gold digging blonde Lorelei and her brunette friend Dorothy are searching for rich husbands. This film is believed lost.

When the painter Christopher Bean dies, some unscrupulous art dealers try to get several of his paintings cheaply from a family who have no idea of their value.

Sonny Boy's parents are in the midst of a bitter divorce when the boy's mother talks her sister into kidnapping him because she is terrified that her husband will take the boy out of the country after the divorce.

A poor but ambitious young girl is determined to crash high society, but isn't prepared for the reception she receives.

In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.

New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.

Silent Hank Mann comedy set in a haunted house.

Muggsy Mulane, a waif who wears boy's clothing, jumps a freight train to the country after Jimmy "the Eel," the leader of the gang of crooks with whom she works, is arrested. In the village of Cottonville, Muggsy befriends Aunt Sarah, whom she later discovers is Jimmy's mother. When Muggsy learns that the greedy Judge Cotton, who holds the mortgage on Aunt Sarah's property, is planning to foreclose, she threatens to blackmail him, and he relents.

Released on July 3, 1927