A behind-the-scenes account that explores the film's production in detail, including intriguing footage from the lengthy rehearsal process. Appropriately enough, the documentary opens with Aronofsky and others explaining why the film can't be described.
At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.
Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.
Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
A short featurette of behind the scenes footage from Almodóvar’s Bad Education (2004).
A behind-the-scenes featurette of four sections: Art Design, Photography & Sound, Costume & Makeup, and Production Design.
A short featurette about the emotions of the cast and crew while shooting Volver.
The film Journeys alongside the filmmakers behind Disneynature’s “Polar Bear” as they face profound challenges 300 miles from the North Pole. The team, who created a revolutionary arctic camp on site, navigated virtually impassible snow drifts and tenuous sea ice, garnering unprecedented footage revealing adaptive behaviors that surprised even this veteran team of filmmakers.
Hoffman, Redford, Bernstein, Woodward, Pakula and Bradlee. Creators and creatures involved in one way or another with 'All the President's Men', whether being the novel or the movie, appear in this documentary to talk about the challenge of both medias and how one was successfully transformed into another.
Documentary about the efforts to reconstruct Sam Fuller's The Big Red One closer to the film Fuller had originally envisioned.
A unique documentary that interlaces archival interviews with author Philip K. Dick with chats featuring cast and crew. Discussed are the origins of the story, parallels the cast and crew sees to the goings-on in today's world, and adapting the story for film, modern audiences, and its unique look.
Behind the scenes documentary on the making of the film.
Na Sombra
A featurette that sheds light on the filmmaker’s approach, and how he turned a character-driven domestic drama into one of the 2018’s most harrowing cinematic experiences.
Documentary about the 1970 film, "End of The Road."
A brief promotional featurette about the film including comments from most of the cast, as well as from director Jonathan Glazer.
Director Philip Barantini talks through how the short became a feature-length film, alongside details on the production.
Tracks Leigh Whannell’s directing process on reimagined horror classic The Invisible Man.