Short film showing the relationship between man and nature.
After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.
Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.
Thanos has detached himself from every feeling and watches his life as if it was a film.
The travelogue is mobilised again by animator Lesley Keen in Burrellesque, commissioned for Glasgow’s European Capital of Culture 1990 programme. Drifting through Glasgow’s Pollok Park towards the Burrell Collection as seasons shift, Keen’s 35mm film convenes with the spiritual life of the artefacts held therein. These objects break out as kaleidoscopic visions, ripped from their place of origin; escapees pointing to Scotland’s own history of cultural extraction.
A film about an unhappy man who catches his wife with a lover. He leaves to buy a gun, while plotting to kill the wife and the lover. Based on a short story by Anton Chekhov.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
An urban legend says that lighting fireworks at an abandoned airfield will beckon the "summer ghost," a spirit that can answer any question. Three teenagers, Tomoya, Aoi, and Ryo, each have their own reason to show up one day. When a ghost named Ayane appears, she reveals she is only visible to those "who are about to touch their death." Compelled by the ghost and her message, Tomoya begins regularly visiting the airfield to uncover the true purpose of her visits.
Set in an established wealthy home, a middle aged woman is awoken by the sounds of an intruder. As she follows the unsettling sounds, she walks into a nightmare. A nightmare whose dreamer is unknown.
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.
La Vuelta
Mario and Gonzalo are father and son, they're unseen for years, now both will have to settle unfinished issues from the past, issues that Gonzalo unforgiving of his father, and from himself.
A boy encounters a trace of his lost father on tracks where time comes and goes, at a station where time stops. With the help of a mysterious projectionist, the boy and station master search for the truth of the father's image.
It's Nadine's first day of school, a significant historical event considered by her mother to be one of many "milestone days", which must be documented with a photo.
Soon to be married, Eun-su heads to Gangneung to see her long-lost father. The old seaside town has changed dramatically from the one in her childhood memories. Exhausted from the sweltering heat of August, Eun-su gets into a taxi.
During Napoleonic wars, a young idealistic drummer, in search of glory, arrives on the battlefield and discovers the horrors of war.
Calvin Lenox's 'The Door at the End of the Hall' follows a young musician through a dream of his in which he hears a mysterious song that seems to be coming from behind a locked door at the end of a hallway. Things start to fall into place when a strange voice begins to speak to him from behind the door.
A character from a musical film falls into the real world in this short, predating similar films by Woody Allen (The Purple Rose of Cairo) and Wojciech Marczewski (Escape from the 'Liberty' Cinema).