When Max, a former MMA world champion about to retire, discovers he has an 8-year-old autistic son, his life is turned upside down. Now, as he trains for one last opportunity to regain his world champion title, Max must deal with his new family and his father, from whom he has long been estranged.
Samuel is a wild-looking twelve-year-old orphan who has been placed with a nanny, Marie, for several weeks. Marie, who is struggling between her feelings and her need for money, is married to Clément with whom she has two sons, Alexis and Dimitri. Very quickly Samuel will have to get to know this new family and their possible secrets.
Paul Clark and his children are still heartbroken a year after the death of Jane, Paul's wife. When he unexpectedly falls in love with Mary, a former tennis-player, the couple decide to marry and live together. However, their lifestyles are completely different, and Mary is continuously reminded of the deceased Jane.
Sussie is 15, raised with her alcoholic mother and an absent father. She has lived in several foster homes. Now she gets one last chance with a new family, the Lindgren's who live in a large house by the sea.
Samantha has lived her whole life in different foster homes. Now living in a small town, she never feels like she quite fits in, even with her own current foster family who might adopt her, or the boy who follows her around doing her classwork. So, it’s perhaps natural that she doesn’t know what to do with a curious tagalong little sister named Olivia. One day, Sam callously ditches Olivia, who wanders off into the woods on her own and disappears.
Minna, a young girl, misuses her newfound ability to create and control other people’s dreams to teach her bothersome stepsister a lesson. When her stepsister can no longer wake up, Minna has to enter the dream world to save her.
A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.
A troubled teen crosses paths with a charismatic, dangerous stranger and it becomes the worst decision in both of their lives.
Ghalandar feels bothered by the suitors wooing for his sister Eshrat. But for a secret reason he does not want to marry her off. As a way out, he asks his trusted friend Sadegh to marry his sister, but warns him about making love with her. Sadegh tries to keep his promise, but when he leaves his wife immediately after the wedding ceremony for the capital, Eshrat follows and joins him and his mother. Unable to bear with the taunts of mother, Sadegh eventually breaks his oath and takes his legal wife to bed. Informed of this betrayal, Ghalandar waylays Sadegh at a dark night and stabs him to death. Eshrat, suspecting who is behind this murder, flees and joins a whorehouse, intent to exact her revenge by staining the name of his so-far respectable brother...
Usha (Zarina Wahab) comes to her sister's house for relief from a terrible tragedy of her life which is the accidental death of her lover Ravi played by Shankar. In the new place, she meets Ramankutty, played by Nedumudi Venu, who is the friend of Vasu Menon (Bharath Gopi), husband of her sister. Their friendship eventually turns into love, but Ramankutty's mother does not allow this proposal. Usha slowly realizes that Vasu Menon's feelings for her are wayward, but she does not tell her sister as she fears that this will ruin their family. So Usha decides to go back to her home, on the way she meets Ramankutty, who has convinced his mother about marrying Usha.
Story of two brothers
A captain trusts his only son in the hands of a girl, for which he believes is one that correspond.
Slaves of fate
Deborah visits her teenage sister, Deanna, at their family cottage in anticipation of their father's arrival late at night. While making up for lost time together, Deborah and Deanna uncover their hidden traumas.
The film follows the celebrated writer and Nobel prize winner Ivo Andrić during WWII, when diplomats and diplomatic staff from Yugoslav missions from countries occupied by the Third Reich, including Andrić, who was ambassador of the Yugoslav diplomatic mission in Berlin, were deported to a hotel on Lake Constance.