Bigfoot at Millcreek

A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

A ghost hunter investigates an evil spirit dwelling within a young man who reportedly became possessed after playing with a Ouija board.

After discovering a secret box in the wall of her house, a demonic presence begins terrorizing a YouTuber, at 8 after 1:00am every night.

A sexually frustrated bigfoot terrorizes a quiet suburban street on a cold Valentine's Day evening.

A man is unknowingly filmed by a stalker.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

In the mystical woods, whispers of a Bigfoot-like legend swirl, captivating the imagination of locals. Enter Fred, an ambitious entrepreneur thriving on Bigfoot tourism. When a relentless debt collector threatens to seize Fred's livelihood--the iconic Bigfoot tour van--he faces the battle of his life to save his business and home, preventing him and loyal friend Paddy from the brink of homelessness. Fred's last hope lies in two unexpected allies: the spirited tourist Marty and her adventurous companion Ger. Together, they embark on a thrilling quest, but standing in their way is the cunning cryptozoology expert, Rheinhold, who harbours secrets that could change everything.

Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath's streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.

A documentary film crew investigate a series of brutal killings known as the Black Water murders. As they dwelve deeper into the story, they stumble upon a horrifying secret. One they may not survive.

The story of Carl Merryweather who believes he experienced an alien encounter at 10-years-old and is now trying to reconnect with the UFO as the same location.

A documentary-style drama based on true accounts of the Fouke Monster in Arkansas.

Accused of a brutal murder by the people in their village, Oliver Isaacs and James Dean-Hughes set out to prove their innocence and catch the ferocious beast that they claim is actually responsible for the death of Oliver's fiancé, Stacey Charles. A small entourage including a documentary crew tag along on their nightly hunting trips but an escalating body count and rising tensions amongst the group look certain to destroy the fellowship even before they can locate the beast referred to by local legend as 'The Devonshire Devil'. "TORN: a SHOCK YOUmentary" is the product of the documentary film crew's findings. It is the tragic and terrifying story of how the lives of James and Oliver are torn apart by 'The Devonshire Devil'.

After 20 years of living in Washington, D.C., Mark Klein seeks much-needed solace by moving to the remote wilds of West Virginia. To ease his loneliness, he sends regular video updates to members of his OCD-support group back in the city. But Mark gradually realizes that despite his new, isolated setting, he may not be alone. From the endless woods surrounding his home, something else is watching.

Carla and Dean decide to escape the hustle of the big city, purchasing a home in a remote forest. They have big plans for their new quiet life, only to find something much more sinister; they are on the land of a cult, and the leader claims a telepathic connection to a legendary beast that inhabits the woods surrounding them. Carla and Dean are forced to uncover the terrifying truth of the cult's prophecy.

When two up and coming internet bloggers take on a road trip to film footage from a forest that is known for disappearance and death, they find themselves in a fight against the supernatural for more than ratings. The events to follow considerably deteriorate, spiraling the adventure seekers head on into magic, mayhem, and murder.

A young woman studying the habits of webcam chat users from the apparent safety of her apartment witnesses a brutal murder online and is quickly immersed in a nightmare in which she and her loved ones are targeted for the same grisly fate as the first victim.

Le manoir a des yeux

Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.

In 1997, four campers went missing during the Phoenix Lights incident and their bodies were never found. The Phoenix Tapes 97 is comprised of their final footage. This film is dedicated to the lives lost during the events displayed. To their families and friends and to the authorities who continue to search for answers. ​ The tapes were found by Dustin Miller's father two years after Dustin was mysteriously shot and killed at a traffic stop in Texas. Peter Miller believes his son was acting as a whistleblower and had smuggled the tapes from his classified government agency in an effort to expose the truth as to what really happened to the four missing campers seen in the tapes. ​ After searching every newspaper and media publication around Phoenix during that time period, we only found one initial announcement that four campers were reported missing, as well as a formal police report folder with local PD but the folder had no files inside.

True crime documentarian Olivia Brandreth was nine years old when her father disappeared. The official police statement was suicide though no body was ever recovered. Twenty five years later, Olivia has returned to her childhood home to finally get closure in an unrelenting attempt to set the record straight. Blue Hour chronicles the journey of a dedicated film crew in their search to figure out what really happened that night in 1997.