Alte Filme aus Bremen

This DVD contains a filmed rehearsal of Frank Zappa and the Mothers of Invention at the legendary Beat Club in Bremen, Germany, on 6th October 1968. The music is largely one long improvisatory continuous performance rather than a run-through of their greatest hits, but is punctuated by Zappa directing the band to play the opening themes of some of his more well-known pieces.

Films can be Friends

This James A. FitzPatrick Traveltalks short visits the West German cities of Hamburg, Bremen, Munich, and Heidelberg. Included are scenes of World War II destruction that lingered at the time.

Schauburg Mon Amour

The lives of six German-Turkish immigrants are drawn together by circumstance: An old man and a prostitute forging a partnership, a young scholar reconciling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together.

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

Frank Lehmann, 20, still lives with his parents in the dreary high-rise housing project "Neue Vahr" in Bremen. It's the year 1980 and Frank gets drafted to the army even though his friends assure him that "he's not really the guy for it". When he gets back home, after his first week at the army, his Dad has turned his room into a TV repair shop, so Frank has to move out. Luckily his old friend Martin is starting a commune with two other Punks in Bremens leftist borough "Viertel". Frank, without further ado rents the unlivable walk-through room. From now on Frank is a traveler between the Worlds. Each week he goes from the Army, with all the unconditional rules and regulations to the commune where his friends are preaching the world revolution. Frank is trying to avoid to stick out, but fails miserably, in both worlds.

Maja Witt and Klaus Burck have been a well-rehearsed team for years, ensuring law and order as police officers in Bremen. At least that's what they try to do. Time and again, however, they are shown their limits. Criminals are set free again, and they themselves get no respect at all. When the arrogant teenager Ahmed Issa spits at Klaus during a mission, this finally goes too far: the two fight back and start to take the law into their own hands, using any means necessary. But the other side is not standing idly by...

Four aging animals, a dog, a cat, a donkey and a rooster escape from their former homes because they weren't as productive and useful for their owners as they used to be. To avoid death, they all move out on a musical journey to Bremen to find a better life.

Pasta Mista

"Is this all there is to life?" thought the donkey, who was working as a tourist attraction for in the "Animal-Adventure-Park ", after his boss kicked him out. And because people again and again told him that his voice sounded lovely, he decided to make a career as a musician and go to Bremen. On his way, he met a dog, whose fate was to spend the rest of his life in the animal asylum, because his old master had died. The dog was a great drummer, so the donkey asked him to come along with him. On their way they met a cock and a cat, who were also living in a desperate situation. Since they too were good musicians, it was only logical that they completed the band. And what nobody ever believed came true. After many adventures, they were finally on stage. Where? Of course in Bremen.

An old donkey resolves to break away from the unbearable hardships of working for a fat miller. By and by, he recruits three more unsatisfied animals and convinces them to accompany him on his way to Bremen where they want to become musicians.

Four farm animals, a donkey, a dog, a cat and a rooster, leave their home to become musicians in Bremen. Based on the tale of the Brothers Grimm.

A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.

In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.

Hockney talks about his 40 year love affair with photography.

Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.

To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.

A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.