The Path of Happiness

Ambrosia is the story of an Iranian-Canadian couple, Ali and Leila, who dream of an exciting future in Vancouver: Ali owns a pizza shop and thinks of expanding and Leila is an up-and-coming clothing designer. However, their situations change dramatically when Ali's shop is affected by bad economy and Leila is hired to work at a fashion design firm.

A palindrome created on film. Features interaction between a couple with the recurring line 'Madam I'm Adam'.

Excavation of the Broch at Bu of Cairston by John Hedges in 1978. The broch is located in Stromness, Orkney.

Marquise de Merteuil, former lover of Vicomte de Valmont, incites him to corrupt the innocent Cécile de Volanges before her wedding night, but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.

Some of 2011's stand-out film actors appear in "a video gallery of cinematic villainy" for New York Times Magazine.

From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?

This was my first 16mm film, made with Desmond Horsfield. For the image we created a gridded score of movements, both within the frame ('subject moves right to left') and between the camera and the subject (zooms, pans, tilts...,) using this as a shooting script. The sound was derived from an old journal, read out loud and then cut-up into the same units of time as the image, ranging from 3 seconds to 1/4 second. Assembling the material was largely mechanical, following the predetermined score. That a tonal portrait of a person emerges was an after effect; we thought of the film as a structural or indexical system of sound/image relations, and viewed the soundtrack as a linguistic experiment, working with the building blocks of speech. - LT

Made in memory of the actor and my friend, Ron Vawter. Ron passed away shortly after the opening performances of the play "Philoktetes Variations," directed by Jan Ritsema and co-authored by Ritsema and Vawter. It was produced by the Kaaitheater in Brussels. All of the images in this video were originally created for the play.

Robin

A tight-knit community fixing up motorcycles, dishing up meals at the local diner, and canning fruit preserves. The people of Allegany County, New York, have always sustained through the good and bad times.

There are two worlds in this house. One where a mother and daughter reside, and another where two women reside. The two worlds begin to cross, gradually disrupting the lives of those involved. What will happen when everything connects?

A staged psychosis and suicide attempt at the Liljeholmsbron in Stockholm, Sweden, in order to initiate a debate about the Swedish health care system.

A couple use magic to stay together but after things go sour they have to reverse what they have done.

Thomas Wilkins has faithfully worked his entire life on Saville Row. Suddenly he is fired by his boss Mr Gerald, who wants a younger man with new ideas. Thomas advertise under "Lonely Hearts" and receives an answer.

A unique anthology of six short vignettes on the subject of love, all of them written, directed and produced by women.

Experimental, 16mm

Amiko, a high school girl, adores Aomi to the point of nearly worshipping him. But one day, he runs away from home. Amiko's sometimes cynical, sometimes self-deprecating inner monologue goes off like vibrant stand-up comedy.

Things spiral out of control in a high school in Manhattan when a terrible accident involving a science experiment injures a kid for life.

In the late 1990s, Moncton's Acadian community was forever marked when death struck an high school. In a sweet impressionist film, Samara returns to the city she fled as a teenager to immerse herself in memories that are still buried there, in various places and in dusty boxes containing diaries, photos and VHS tapes. 1999 is not a ghost story, although it is populated by ghosts. The snow-covered streets, corridors and locker rooms of the school are intact, as in a dream, but the absence left by the wave of teenage suicides still resonates with unanswered questions, trauma and regret. Samara meets inspiring people who carry with them great pain and who, 16 years later, can finally comfort each other by breaking a long silence. In the end, the film interweaves different voices and gives rise to a collective reflection on the internalization of mourning and the need to learn to affirm one's desire to survive.

On the eve of her 38th birthday, a woman desperately attempts to fix her broken biological clock.