Zombies

Falling in Between Live is the fourth live album by American band Toto, released in 2007. It was recorded live at Le Zénith, Paris, France. It's the first Toto record to feature bassist Leland Sklar, temporarily replacing Mike Porcaro due to a hand injury and second record featuring keyboardist Greg Phillinganes, replacing David Paich who has retired from touring, but is still an active member in the studio.

Join vocalists broadcasting from the Biltmore Bowl in Los Angeles.

An animated safety film adapts the nursery rhyme "Three Blind Mice" into a song where the mice are factory workers who disregard safety rules and wind up injuring themselves.

A young surveyer, new to Ontario, encounters the blackflies. Over and over again, he encounters those blackflies.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

Judy Garland sings the title song, a tribute to Will Rogers.

One of pop music's truly innovative bands, The Police were one of the most pervasive musical influences of the 1980s. Led by charismatic singer Sting, the band cultivated an artful fusion of rock and reggae that was defined by Stewart Copeland's minimalist drumming. EVERY BREATH YOU TAKE contains videos from the band's inception, including such classics as "Roxanne," "So Lonely," and the newly created clip "Don't Stand So Close to Me." The visual quality of "Every Breath You Take," which was filmed in black and white, is exceptional.

A comedic satirical sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists. It’s the story of two Miami girls and how they deal with the technological singularity, as told through a series of cinematic tweets.

The leader of a marching band demonstrates an unusual way of writing music.

A band-leader has arranged seven chairs for the members of his band. When he sits down in the first chair, a cymbal player appears in the same chair, then rises and sits in the next chair. As the cymbal player sits down, a drummer appears in the second chair, and then likewise moves on to the third chair. In this way, an entire band is soon formed, and is then ready to perform.

When Iva was a little girl, she was a believer. As an adult, she added the D to her name to become D-Iva, a pure product of the star system. Offered to and adored by her trance-like audience as a modern golden calf, D-Iva realizes that her childhood dream has turned into a nightmare.

"A riveting, emotionally charged rock doc like none before it. This decade long journal follows the band and phoenix-like implosion and spiritual immersion of their front-man, who was born with a genius like gift to create hit music."

Die Helene Fischer Show 2014

Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.

A marching band of Germans, Italians, and Japanese march through the streets of swastika-motif Nutziland, serenading "Der Fuehrer's Face." Donald Duck, not living in the region by choice, struggles to make do with disgusting Nazi food rations and then with his day of toil at a Nazi artillery factory. After a nervous breakdown, Donald awakens to find that his experience was in fact a nightmare.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.

During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.

An entertainer in Rio impersonates a wealthy aristocrat. When the aristocrat's wife asks him to carry the impersonation further, complications ensue.