Produced for Fuse TV, this documentary series chronicles the antics of the California-based band NOFX. The outrageous punkers travel from one end of the globe to the other on an ever-eventful, long-running international tour. Highlights include a disastrous concert in Guayaquil, Peru, a performance attended by a select group of spoiled brats at an Ecuadorian tennis club, and a stop at an S and M club in Japan.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Atmosphere concert and tour footage following the release of the album God Loves Ugly.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.
Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.
Follow Bruce Springsteen during the making of his 18th studio album, 'High Hopes,' in this special. Rare behind-the-scenes footage and rehearsal segments are interspersed with exclusive E Street Band tour footage and revealing interviews with Springsteen and album collaborator Tom Morello, guitarist for Rage Against the Machine and Audioslave.
Grindcore is the worlds fastest most aggressively intense music. Fusing the anarchistic and leftist attitudes of the UK Punk scene with the speed and drunken aggression of American Death Metal, Grindcore continues to challenge and offend most listeners.
Documentary film interviews leading Latinos on race, identity, and achievement.
In 1971 September met four young men in a garden in Gentofte. They wanted to make a band. And they soon found out that they could joke his way to one hit after another. A handful of years later had their playful approach made them Denmark's largest orchestra. But if success came easily to them, it was also their biggest problem. For besides they were hit by alcoholism and stage directing, they faced one overriding dilemma: Should they stick to the happy drengerøvs tone (young men who appear to be young, immature or inexperienced or who behave childishly), they had so much luck, or trying to become adults?
The forceful feature-length documentary Journey to Jah by Noel Dernesch and Moritz Springer catches the global phenomenon of crossing borders by documenting the experiences of integration in a foreign culture. The film follows the internationally acclaimed European musicians Gentleman and Alborosie, which found a new spiritual home within the reggae culture while Jamaican singer Terry Lynn takes the other direction integrating European styles into her music.
Treating a trumpet as if it was a portion of fish and chips is not basic culinary research but an audio-activistic intervention that lends a voice to British fishermen’s opinion towards Brexit. And the title ‘audio activist’ is very fitting for the British composer Matthew Herbert. ‘A Symphony of Noise’ provides an insight into Herbert’s thoughts about how we should hear the world and presents amplified sounds of teeth being pulled out, a pig being born, and a swimmer crossing the English Channel. The controversial and political samples become a part of a live performance at the Berlin night club Berghain, which makes the listeners both grate their teeth and dance along. Matthew Herbert wants us to listen to the world afresh, and it is a pretty fantastic experience.
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
J’m’en va r’viendre
Les États-Unis d'Afrique
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.