The Pointing Finger

Bessie Barriscale and Nigel Barrie play Ellen and Gibbs Josselyn, a young married couple who have spent several years in Europe while Gibbs, an artist, developed his talent. When they return to the States, they stay with Gibbs' father (Tom Guise) and stepmother (Kathleen Kirkham). Gibbs had never cared much for his stepmother, Lillian, but now he warms up to her -- a lot. Lillian is much younger than her husband and begins spending a suspicious amount of time with her stepson.

Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.

Wee Lady Betty rules the O'Reilly castle with a stern hand and a big heart until she learns that Roger, the O'Reilly heir, is coming to take possession of his estate. Unable to provide for her aged father, Betty conceives of a scheme. Feigning to leave the castle, she returns after dark with her father and installs him in the haunted chamber.

Everywoman is a lost 1919 American silent film allegory film directed by George Melford based on a 1911 play Everywoman by Walter Browne.

Adopted by the Kellys from an orphanage, Nancy is reared in dreadful surroundings and mistreated as the household drudge. She accidentally makes the acquaintance of Jack Halliday, son of a wealthy city family who is fishing near her home. When Mrs. Kelly beats Nancy for accepting the attentions of her husband, the girl escapes into the woods and conceals herself in the rear of Jack's car as he drives into the city.

The owner of vast diamond mines, John Quelch is constantly fearful of theft and convinced that any woman will "sell her soul" for diamonds, he deals harshly with any employee caught stealing and has Lady Margot Cork watched while she is visiting Lorraine Temple. John and Margot fall in love, but she cancels their engagement when she learns of the "brutal" punishment of Jim Wingate for swallowing a diamond.

Wealthy New York girl, Susan Van Dusen, in search of thrills and laughter, leaves home and finds work with a private detective agency. She meets Tod Waterbury, who, under another name, is working as a cab driver (in search of story material for a novel), and the two fall in love.

Aspiring newsreel camera girl Pat Clancy, is hired by her father, a publisher, to work on The Sun and causes Scoop Morgan, the paper's best cameraman, to quit in protest of the hiring of a woman. The Mercury hires Scoop, and there begins a heated rivalry between him and Pat. Pat gets a few lucky breaks and manages to get a beat on Scoop during her brief career. After she exposes the theft of a jewel from the turban of a visiting maharajah, she and Scoop are kidnapped by Clayton, the thief, and taken aboard his yacht. Rescued, she and Scoop find love and happiness.

A product of wealth and high society, Patricia Mansfield is sent to Colton College by her father, who hopes to eradicate her snobbish veneer. On the train, Pat meets Denis Adams, a prominent athlete who is working his way through school as coach of the girls' track team; he introduces her to track star Charlie Paddock. Through efforts to keep her associates in place, Pat sinks deeper into the mire of antagonism; her only friends are Harriet Porter and Knute Knudson, the Swedish janitor.

American shop-girl Julie McFadden, wins a free passage to Paris; en route she meets Robert Van Wye, who has to kiss her when she loses a sack race. In Paris, Julie finds her proposed residence destroyed, and while waiting for Bob her purse is snatched; in the ensuing chase she gets lost and enters a dressmaker shop, where the two owners are in dire need of an English-speaking girl to deliver some gowns. Accidentally she is given free entry to the apartment of Countess Pasada and is shown to her rooms; the count is in his pajamas when she emerges from her bath, and she locks him in the bathroom.

Chorus girl Peggy Lane, finds a small part in a new show for David North, a stages-truck country boy. At rehearsal, David meets Delerys Devore, the show's star, and she quickly offers him a larger part in her act. Quite taken with David, Delerys invites him to her home on the pretext that Peggy will be there; when Peggy does not show up, David leaves, infuriating his hostess. Derelys has Peggy fired the next day, and in reprisal Peggy goads her into a Carmenesque fight backstage just before the show. Derelys is unable to go on stage, and Peggy takes her place, becoming the hit of the show. Peggy and David are later married and give up show business, finding contentment living on a farm.

Hard-working insurance company bookkeeper John Carter, comes home Easter eve to his suburban cottage with a potted lily for his loving wife and two daughters. The Carters live happily until cashier Charles Ryder is murdered by the night watchman, a "coke sniffer" in need of money, and Carter is accused because he worked with Ryder that evening.

After her father's death, little Briar Rose is taken in by the men at a lumber camp. The girl shows a definite preference for one of the lumberjacks, "Hell-to-Pay" Austin, so he becomes her new "father." Just as much as Hell-to-Pay takes care of Briar, she watches over him, and it is largely through her influence that he gives up hard drinking and needless fighting. Then, when Briar is old enough, she goes away to school and quickly falls in with the wrong crowd. Hell-to-Pay comes after her and takes her away from Doris Valentine, an adventuress who had been teaching Briar the tricks of the trade. When they are reunited, Hell-to-Pay and Briar realize that they are in love, so they decide to change their relationship from guardian and ward to husband and wife.

Luke runs a bunco booking agency.

The Hollisters, a bright, spirited, wholesome family, are compelled to move into the country. After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them.

A Yankee Princess is a 1919 American silent comedy-drama film produced and distributed by the Vitagraph Company of America. It was directed by David Smith and stars Bessie Love, who also wrote the screenplay. It is a lost film.

The Little Boss is a 1919 American silent romantic comedy film directed by David Smith and produced by Vitagraph Studios.[2] The story and screenplay were by Rida Johnson Young starring Bessie Love and Wallace MacDonald.

Peggy ( Bessie Love ) and her sister Frances ( Myrtle Reeves ) live with their father, but because of his idleness, they must all move to humbler quarters. Peggy adapts quickly to their new surrounding, while Frances misses the social life she once enjoyed. Their neighbors are well off, and Peggy begins a romance with their son, whom she thinks is the chauffeur. Meanwhile, Frances has become involved with a roguish character and plans to elope with him. Peggy saves her sister from imminent disgrace, but comes close to compromising herself instead. Peggy's sweetheart comes to her rescue and now his true identity is revealed to the very grateful girl.

The Honor of Rameriz is a 1921 American silent short Western film produced by Cyrus J. Williams and distributed by Pathé Exchange. It was directed by Robert North Bradbury and stars Tom Santschi, Bessie Love, and Ruth Stonehouse.

The Spirit of the Lake is a 1921 American silent short Western drama film produced by Cyrus J. Williams and distributed by Pathé Exchange. It was directed by Robert North Bradbury and stars Tom Santschi, Bessie Love, and Ruth Stonehouse.