Alyssa wakes up in a home that's not hers and discovers a dead body. With no memory of how she got there, and no idea of who he is, Alyssa tries to piece together what exactly happened the night before.
A group of seven friends come together for dinner. What starts out as a normal evening, evolves into something else when they decide to play a game and read all text messages aloud and answer all phone calls on speakerphone...
An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.
"REM" is an Afrikaans Sci-Fi Drama about a grief-stricken father, Dehan, who becomes obsessed with the memory of his late wife, Lena, through the use of a high-tech, dream-altering device, the REM. This unhealthy obsession leads to Dehan struggling to reconnect with his young son, Erich, who survived the car accident that caused Lena's death. Dehan must decide to face and to confront his grief, reconnecting with his son, or to become so immersed in his fantasy dream-world that he loses touch with reality, and Erich, altogether.
When a social worker takes a group of non-violent criminals to the woods as a progressive rehabilitation program that will get them a reduced sentence for their crimes, it seems like she has thought of everything and nothing can go wrong. But Freddy Palmer is an insane killer who wears a mask and likes to chop up every person he sees with his trusty axes, and he is back in these woods.
The lone survivor of Freddy Palmer's last massacre is blamed for the killings and institutionalized. She soon escapes and after hiding out with an all-female punk rock band, the women team up to hunt down Palmer in his forest killing grounds.
Across a language barrier, a Turkish groom-to-be on an engagement party in Kyev meets a Ukrainian that represents the 'other woman' for a marriage there.
Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.
Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.
Spending the summer at a Catskills resort with her family, Frances "Baby" Houseman falls in love with the camp's dance instructor, Johnny Castle, and nothing is ever the same for anyone in the Houseman family.
A lawyer defends a wealthy woman accused of murder. She claims it was self-defense. The lawyer is not sure.
A college campus is plagued by a vicious serial killer murdering students in ways that correspond to various urban legends.
An American photographer has an affair with a mysterious woman (Yoshikawa), which leads him into a confrontation with the occult.
A headstrong young woman returns to New Orleans after the death of her estranged mother.
Modern day adaptation of the 1910 Gaston Leroux novel "Phantom of the Opera" – that the famous musical is also based on – set in the sultry nightlife scene of modern-day New Orleans, the world of jazz, R&B, neo-Soul, and funk.
The trajectory of a romantic couple of contemporary artists reveals how the limits, contradictions and obsessions of a romantic relationship are reflected in each of their artistic endeavors.
A newly reunited young couple's drive through the Pacific Northwest turns into a nightmare as they are forced to face nature, unsavory locals, and a monstrous creature, known to the Native Americans as Oh-Mah.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.