Manuel, le fils emprunté

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

A group of tenants living in an old house are confronted with having to move out due to a renovation project the city has undertaken. The tenants decide to unite and come up with a strategy, but in the process—while the landlord and his aggressive attorney are chasing them—the tenants transform into the opposite of who they once were.

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.

George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love.

The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.

In the mid-1980s, the U.S. is poised on the brink of nuclear war. This shadow looms over the residents of a small town in Kansas as they continue their daily lives. Dr. Russell Oakes maintains his busy schedule at the hospital, Denise Dahlberg prepares for her upcoming wedding, and Stephen Klein is deep in his graduate studies. When the unthinkable happens and the bombs come down, the town's residents are thrust into the horrors of nuclear winter.

A school teacher discusses types of government with his class. His students find it too boring to repeatedly go over national socialism and believe that dictatorship cannot be established in modern Germany. He starts an experiment to show how easily the masses can become manipulated.

In an apocalyptic future world, a young upper class couple is visiting an exhibition of surrealistic paintings, presented by a group of young anarchists in their loft flat where they trap and torture their high society guests.

Nada, named after a gang of Spanish anarchists, is a small, confused band of French terrorists. They kidnap the American ambassador after one of his regular visits to an exclusive brothel. The gang starts to quarrel amongst themselves as to the diplomat's fate, while the police purge suspects in their attempts to destroy the Nada faction. As the violence escalates on both sides, the States and the terrorists are forced to use one another's methods in an increasingly desperate and relentless conflict.

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

Austin, Texas, is an Eden for the young and unambitious, from the enthusiastically eccentric to the dangerously apathetic. Here, the nobly lazy can eschew responsibility in favor of nursing their esoteric obsessions. The locals include a backseat philosopher who passionately expounds on his dream theories to a seemingly comatose cabbie, a young woman who tries to hawk Madonna's Pap test to anyone who will listen and a kindly old anarchist looking for recruits.

Austrian aristocracy, in order to get their supply of drugs flowing freely, associate with anarchist youths to plan a revolution against the socialist government.

When their beloved school is threatened with closure should the powers that be fail to raise the proper funds, the girls scheme to steal a priceless painting and use the profits to pull St. Trinian's out of the red.

A quartet of disaffected Korean youths have robbed a Seoul gas station. After taking the gas station over, their wacky antics ensue; forcing the manager to sing, kidnapping customers that complain about the service, and staging fist-fights between street gang members and gas station employees; all of these reflect their own gripes against society.

A movie about a young honors student-turned-anarchist, Puck, and his group of anarchist friends living peacefully in a Dallas commune until a nihilist, Johnny Black, appears with The Anarchist Cookbook and completely destroys their way of life.

Soldier Ignaz Wolz returns from WWI with an immeasurable hatred of capitalist war profiteers. He decides to start his own revolution, but tries to stay away from the organized class struggle. He steals from the rich men and divides the wealth among the poor. One day, Wolz is arrested and sentenced to life in prison; seven years later he is released due to mass protests. More than ever, it is hard for him to fit in. He severs ties with his former companions, who reject his ideas, and leaves Germany.

This pre-Code comedy-thriller centers on Robert Holden, a broke and discouraged veteran, who meets fellow American Elinor Green at a cafe in Paris. After their first encounter, Holden's attempt to return Green's thought-to-be stolen purse ends up rendering him a stowaway on board a ship bound for America. Also aboard is a collection of characters, including Green's banker fiancé, a famed scientist, and an opera singer. Romance begins to blossom between Holden and Green, just as a radiogram claims that an “infernal machine,” or bomb, is aboard the ship. Quickly each passenger accuses the others of planting the bomb until eventually Holden, jealous of Green's attention to her undeserving fiancé, falsely admits to being the culprit. In his role as assumed perpetrator, Holden tests the group further.

Javier Navarro, a Falangist, is ordered to infiltrate Republican Madrid to deliver a message to a member of the Fifth Column.

A slab of food descends down a vertical facility. The residents above eat heartily, leaving those below starving and desperate. A rebellion is imminent.