The Family in Sinkhole

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

Set in a quasi-ghost town that once thrived with oil in China's arid northwest, Yumen is a haunting, fragmented tale of hungry souls, restless youth, a wandering artist and a lonely woman, all searching for human connection among the town's crumbling landscape. One part "ruin porn", one part "ghost story”, and entirely shot on 16mm, the film brings together performance art, narrative gesture, and social realism not only to play with convention and defy genre, but also to pay homage to a disappearing life-world and a fading medium.

To commemorate the 70th anniversary of the victory of WWII, this documentary film describes the eight years of dauntless air-force fighting of the republic of China during the Anti-Japanese War, with only 300 combat-capable aircraft from China while Japan had over 2000.

The film is director Gao Zipeng’s first fiction film which takes three years to complete. It premieres on March 27, 2001 in UCCA and stars the poet A Jian, Xiao Zhao and the writer Gou Zi. The film is based on a true crime of disappearance. It creates an atmosphere of what Ma Zhiyuan, a celebrated poet and playwright of Yuan Dynasty, portrays in his famous poem “Autumn Thoughts”: Over old trees wreathed with rotten vines fly evening crows/ Under a small bridge near a cottage a stream flows/ On ancient road in the west wind a lean horse goes/ Westward declines the sun/ Far, far from home is the heartbroken one.

A documentary chronicling the coming of age of a young chinese man.

Yao Shangde is a mime artist from Taiwan. He has rich experience in stage performance. In 2011, he suddenly decided to start his personal street mime performance project "Mime Runaway". He thinks that he would be more willing to perform his mime art on the street than performing in a static theater. He believes that performing arts should enter every ordinary person's daily life. He also tried to use this form of performance to teach people how to open up and accept strangers around him. The inexplicable fear of strangers has always been the demon he has been unable to overcome in the past ten years. He is trying to use this form of artistic performance to carry out a self-salvation of his past.

"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"

One long tracking shot through a park in Chengdu.

A soon-to-be first-time voter, the filmmaker’s thought-provoking journey into the Rust Belt and South captures four Asian American voters’ ardent first time grassroots political participation ignited by the 2016 rise of “Chinese Americans for Trump.” FIRST VOTE is a character driven cinema verité style film chronicling the democratic participation of four Asian American voters from 2016 through the 2018 midterm elections.

The film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ: Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies. How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates? All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year.

A short documentary that captures the longest total solar eclipse of the 21st century, The Yellow Bank takes you on a contemplative boat ride across the Huangpu River in Shanghai, China. Filmmaker J.P. Sniadecki, who lived and worked in Shanghai nine years earlier, uses the eclipse as a catalyst to explore the way weather, light, and sound affect the urban architectural environment during this extremely rare phenomenon.

Old Jia gave up his city life and returned to the countryside with his wife. He abandoned chemical fertilizer to practice natural farming. His philosophy attracted a big group of admirers from the city, whereas local villagers disagreed on his approaches.

A lively community of Christians inhabit Fangshan, a remote rural town in Jiangsu Province. At the start of the millennium, a church was built there with support of local inhabitants' relatives from Taiwan. On Sundays, up to 900 people gather to worship, while spending most of their days maintaining a modest living as farmers. Their faith governs how they handle family conflicts, illnesses and other difficulties. Still, they must contend with constraining forces in their community, from ancient folk religious practices to laws forbidding evangelism.

17 riders with avarage age 81 decide to follow the dream of their youth and start their journey to ride around Taiwan island.

KJ is a biography of a HK musical genius. At the age of 11, KJ won the Best Pianist price and went to Czech to perform with a professional orchestra. Touching on subjects such as the meaning of life, God and the artistic process, the director’s 6-year-conversations with KJ reveal how a young man inspires by his music teacher, Nancy Loo and how he conflicts with his peers and parents. KJ is not about the victory of a genius, but how he learns to be a "human being".

"If the old doesn't go, the new never comes" recites a teenager hanging out near a demolition site in the center of Chengdu, the Sichuan capital in western China. In Demolition, filmmaker J.P. Sniadecki deconstructs the transforming cityscape by befriending the migrant laborers on the site and documenting the honest, often unobserved, human interactions, yielding a wonderfully patient and revealing portrait of work and life in the shadow of progress and economic development.

The artist works around the different individual experiences which consolidates the different changes in the body while examines intimate relationships under the structure of the disease, all by making her experience visible and public. Within the realms of Ruijing’s discussions, she hopes for the work to push the boundaries of the marginality of the body, for the work to allow oneself to look at their and others’ body in an objective manner that escapes the ontological. She further wished for the experience of living and the reflection on the mass would help the discovery of the self and its connection with society, while reflecting on life itself by doing so.

After 30 years of cold war, Taiwan and China finally opened cross-strait trade and tourism in 1980. However, through decades of political and educational vilification of their counterparts by the KMT and CCP, and despite close economic and cultural ties, what lies beneath the diplomatic relations is a disconnect and mistrust that cannot be denied. KE is a failed business in Taiwan who hopes to start over as a 'Taiwanese Expat' in Shenzheng, China with a Taiwanese company. Lili, a laborer from China, meets her Taiwanese husband online and moves to Taiwan in hopes of a better life. Both KE and Lili cross the straits in hope of achieving what they cannot find in their homeland. But how much do they really know about that country across the straits?

Class 172 is a key class for their excellent students of an ordinary secondary school in Hunan province, from which the kids’ main goal is to upgrade into one of the best province-level high school – No.1 high school of the county. In the recent few years, the school’s enrollment rate to high school was not quite satisfying, and this year, the newly promoted class in charge teacher – Mr. Xiang, who’s only graduated a few years ago, became their brightest hope to teach the students and raise the enrollment rate for school.