The Year of the Dragon

In his small pub in the northern English town of Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Amongst the cub reporters and pub regulars dying to hear Harry's reaction to the news, his old assistant Syd and the peculiar Mooney lurk with very different motives for their visit.

After the events of Revue Starlight ―The LIVE― #1 revival, Seiran General Arts Institute challenges Seisho Music Academy to a revue with the right to perform the play "Starlight" at stakes. Who will win this Cultural Exchange Program?

Duda and Bia, two long-term friends, haven't seen each other in 12 years. They both have a disturbing memory of Duda's 15th birthday party. The party ended in heartbreak and alcohol abuse. Now, in their 30s, the two meet again, in the same house where the party took place, to review their lives, facing all the twists and surprises from all the transformations they went through during the years they were apart.

In nine completed scenes, the saga explores the two hundred year history of the House of Staufen, whose rulers shaped the history of the Duchy of Swabia and the Holy Roman Empire. Count Friedrich von Büren and his son Duke Friedrick open the play. Duke Friedrick's son King Conrad III, Conrad's nephew Emperor Friedrick I Barbarossa, his sons Emperor Henry VI and King Philipp of Swabia and then Henry's son Emperor Friedrick II continue the dramatic events. With Frederick's son King Conrad IV and his son Duke Conradin, the glorious dynasty comes to an end.

Shōjo☆Kageki Revue Starlight -The STAGE Chūtō-bu- Regalia) is an upcoming stage play that will be presented at Hikosen Theater in Tokyo between October 14-24, 2022.

In the unstable aftermath of a civil war, Creon, the new King of Thebes, asserts his authority by forbidding anyone from honouring the death of the traitor Polyneices. But Antigone, Polyneices' sister, will not obey. When Creon's authority is challenged, a gripping conflict emerges between the power of an individual and the state. Polly Findlay's electric 2012 production brings Sophocles' tragedy into the modern world as a gripping political thriller.

An ageing monarch. A kingdom divided. A child’s love rejected. As Lear’s world descends into chaos, all that he once believed is brought into question. One of the greatest works in Western literature, King Lear explores the very nature of human existence: love and duty, power and loss, good and evil.

A new English adaptation of the classic French tragedy Phèdre by Jean Racine (1639-1699). It retells the ancient Greek tale of the wife of the Atenian King Theseus, who conceived a forbidden love for his son (by an earlier wife) Hyppolytus. All ends badly for all.

A dark comedy thriller about a director driven to madness during a regional production of Julius Caesar.

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

After returning from a year-long Moon mission, Cassie, a NASA botanist, finds herself in a remote cabin in the woods, where her estranged twin sister, Stella, a former NASA architect, has found a new life with climate activist Bryan. Old wounds resurface as the sisters attempt to pick up the pieces of the rivalry that broke them apart.

An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.

The first stage play adaption of Haruichi Furudate's Haikyū!! series. Described as a "hybrid performance," the play mixes manga, live-play, and video to create an unforgettable experience for its viewers.

Is the second stage play adaption of Haruichi Furudate's Haikyū!! series. The stage play is split into two acts and covers the second half of the Karasuno High Team Formation Arc (the Karasuno vs Nekoma practice match), the Interhigh match against Tokonami, and the Interhigh match against Date Tech.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.

A successful couple with a beautiful daughter, gorgeous home and a mother-in-law and housekeeper that are both eccentric are all the ingredients necessary for a somewhat perfect yet always interesting family. But when Jennifer finds out that her husband Terrance has been cheating on her for years, the family is changed forever. Can Jennifer learn to forgive Terrance so their marriage can be saved, or is it too late to make amends?

Henry Irving is dead. Join Irving’s restless spirit as he tells the story of how he transformed himself from a stuttering, spindly country boy into the most formidable actor of the nineteenth century. It is a story of a man who petrified London with his Gothic portrayals of mad monarchs, guilt-stricken murderers and the devil himself. A story of a man who could never escape his monsters – even in death. A filmed version of the live one-man stage play by James Swanton.

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.