Just for Tonight

This is a film about old fashioned Bulgarian customs and moral rules. A pre-arranged marriage of two children is no obstacle to true love.

A famous metropolitan journalist decides to pay a surprise visit to his classmate Pancho in the countryside. Pancho has gone to town and his wife has to greet the guest. Under the curious eyes of the neighbors, the two are waiting for him to come back home. The awkwardness between them intensifies. How will they sleep under one roof? What will people say?

Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.

Impersonating a knight is one of the favorite games of nine-year-old protagonist. Now as Don Quixote, now as D'Artagnan he is fighting evil, he is searching for justice and defending the weak. Together with his friends, packed in cardboard armor, they play all day long. As he is playing, however, he unwittingly witnesses the relation between his parents and gradually comes to understand that the world of the adults is far removed from the canons of knightly honor. His parents love him, but never seem to find the time to listen to his concerns. The deceit, corruption and lack of respect in his own family alienate the small boy. The only adult, whom the boy trusts, is his uncle to whom he is attached by a genuine, equal, man-to-man friendship. He takes him to the cinema and theater performances and talks to him like with his peer. Will this sensitive kid ever succeed in building an internal armor against selfishness and rudeness?

Three novels deal with the mentality of the children, their agitations, and the merry and sad things in their everyday life. The movie is created with a lot of humor, cheerfulness, and great love for the kids.

Born in a small village, Yordan has to live and work in the nearby town. Only on the weekends can he return to his native village. He travels by a bike and observes the nature and the animals around him with overt sadness. In the village arrives a young pharmacist and she rents his house. Soon both of them fall in love. In order to be near her, Yordan tries to persuade his colleagues to move one of the workshops from the plant to the village. But they are all used to living in the town now and decline his offer. Yordan realizes that he cannot demand impossible things.

A dentistry student, graduating with honor, does not get the desired job and has to start working as a MASTER OF ALL TRADES in a construction company. He has to paint walls, clean chimneys, and fix water conduits. He is not able to accomplish any of these tasks and gets into funny situations all the time. Moreover, he and his roommate, a good friend of his, quarrel over a girl. But this situation is a misunderstanding as well - the friends love different girls. A happy end is in sight.

A surrealistic comedy-drama about a school shooting as seen through the eyes of a socially awkward college student named Jay. Walt Whitman, the shooter, is loosely based on Charles Whitman, but the film is not in any way a factual account of the 1966 shootings at the University of Texas.

There were times when stealing girls in these lands has been a worthy vocation, was a habit and a sort of custom in Bulgaria. Only the strongest and most experienced men took the profession up. A young and brave Bulgarian highlander was given the job to bring, no matter how, a certain beautiful girl to be married to somebody.

What happens when a distracted newspaper editor-in-chief initials a "yes" to print a sharply critical feuilleton and a "no" to the feuilleton author's application for leave instead of the other? Well, an incredibly funny mess, which only the screenwriter Radoy Ralin and the director Vladimir Yanchev can mix. Of course, supported by the whole constellation of comedians that Bulgaria had in the early 60's. The commotion occurs when dozens of big and small bosses and directors from all over the country recognize themselves in Karaivanov, the fictional hero of the feuilleton. They all run to the editorial office to demand refutation and punishment of the author. Just watch as they bury themselves in an avalanche...

Boev, an enthusiastic form master, is trying hard to establish rapport with his final-year students. His frankness, buoyancy and good nature soon make him a universal favorite. The only one who does not approve of him is headmaster who loves his job, but is not aware of how dated his own views are and cannot understand the young teacher. Apart from this, Boev comes in into particularly sharp conflict with his colleague and childhood chum Kiril who is consumed by jealousy and the ambition to get promoted quickly.

Muthaiya, a male Karagattam dancer, falls in love with Kamakshi, a female Karagattam dancer. But circumstances prevent them from confessing their love for one another and the lives of two artist families locked in a feud.

Two young couples decide to spend some vacation days on a small uninhabited island. Alas, soon they'll find out that the place turns to be not so isolated.

Isobel Neiman, a former FBI agent turned cop, is assigned to catch a ballerina's murderer, but runs into resistance by fellow cops who don't think a woman detective can handle the case.

This is a psychological whodunit. The action is tense and there are many ups and downs. Vas, a young militiaman, has to pose as a ex-prisoner and infiltrate an international gang of smugglers at work in Bulgaria. Vas is involved in shady deals: in a web for smuggling drugs. The traffic in drugs is perfectly organized, every one along the chain is being checked up and shadowed. An elderly gentlemen, a harmless nuisance on the face of it, turns out to be one of the bosses. Vas's role as a double agent, in doing his efforts to become a trusted man among the dangerous criminals, faces him with many trials and he risks his life on several occasions. And no matter how strange it may appear, it is among these people that Vas meets the girl he falls in love with. A beautiful girl is tangled in the traffic web. She also falls in love with Vas. Just like the audience, the girl Sunny is not aware of the true personality of Vas in the racket.

A fishing boat comes back to the port. Fishermen are crestfallen, as they have caught only one very little fish. To save face, they fib they have 300 kilo of mackerel on board the boat. In their will to report a success, the port administration decides to pad out the weight. So, the very little fish is grossly exaggerated into tons of belted bonito, then into dolphin and ultimately, into a whale. Which results in celebrations, honors and awards... There, naturally, is no any whale. Instead of brilliant display of an unprecedented success, the white collars make a brilliant display of their unparalleled foolishness.

The Best Person I Know!

The daily routine in the village of Yugla is broken by the statistician clerk Asenov, who comes with a mission to count the hare population in the locality. He makes the village mayor Bay Georgi mobilize the local men in realization of the absurd task. Same day all the village men are in the field - the mayor, the teacher, the veterinarian… Naturally all the efforts failed in fulfilling the mission since not a single hare was seen.

Follows the Bulgarian people's struggle for national independence in the period from 1875 to the Liberation from Otoman bondage.

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.