No. 7 Cherry Lane

Don’t Let the Sun Catch You Crying is a short meditation on love, grief, and imagination. The hand-drawn animated documentary was created through a collaboration between mother, elder and narrator Edith Almadi and filmmakers Natalie Baird and Toby Gillies. This poetic piece celebrates life and the transformative ability of art to elevate and transcend us. Through vivid drawings and Edith’s simple yet magical words, the film explores our enduring bond with loved ones who have passed. In honouring her son’s life within the cosmos, Edith’s artworks embody colours, shapes and metaphors that remind us of the timeless power of love, gravity, and grace until our final breaths.

An animated adventure about Jojo the Axolotl, taking on the world to find his family, set in a fantastically inspired Mexican lakeside.

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.

A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.

"Mexican Standoff" is a Bill Plympton cartoon set to the music of Dutch band Parson Brown. The story is about a 3-sided love affair that goes absolutely wrong, and the hearts that break along the way. The technique is pencil drawings on paper, which were then scanned and composited digitally.

Experimental animation made with nails, hair, teeth and a doll.

Kanae, who broke up with her husband and moved to her uncle's house, met two men when her father, a university professor, collapsed. Michihara, a wealthy man and Miyashita, a youth scholar. Kanae is attracted to Miyashita, but ...

Actor Marc Berger is unhappy. In an interview, he explains why this is the case and why he feels he has never been loved.

The third work of the popular series depicting the famous detective Kyosuke Kozu. Blind musician Ryoichi Kashiwagi died of a heart attack. His father, Shigeyuki , is already bedridden and has billions of Japanese yen in assets. Ryoichi's wife Yukiyo and Ryoichi's younger sister Tsuruko have a dispute over these assets. Newspaper reporter Matsushita, who met Ryoichi just before his death, was interviewed, and was told that there was something unnatural about Ryoichi's cause of death. Soon, Tsuruko died mysteriously. Matsushita decides to have Kyosuke Kozu, a university professor and a famous detective, solve the case.

Hilma af Klint (1862-1944) is an important part of art history and one of the first ever painters of abstract art. However, unlike the work of many of her peers at the time hers was misunderstood and neglected until long after her death. This is a story about Hilma and the circumstances which made her paintings possible. The film picks up during her early life and ends today; when her art connects with people of all religions and cultures. Just as she intended.

An old hermit and would be botanist tries to catch a mythical creature who lives in the forest to add to his exclusive collection.

An engaged couple hit a number of speed bumps on their road to matrimony including major career complications and questions of fidelity.

David is a freelancer living with his girlfriend and their sick son. Problems arise when they don’t have money for his medication.

Amii runs and runs on a bloodstained earth, through dark forests and warm fields. She keeps running in fear.

Shimazu Clan's third-generation boss, Tetsuo Sakuragi (Yasukaze Motomiya), and his sworn brother, Kenichi Kanamori (Yoshiyuki Yamaguchi), are set to be released from prison. Although Sakuragi plans to personally welcome his brother's return, Eitoshi Kaji (Hitoshi Ozawa) advises against it. Sakuragi dismisses Kaji's concerns, but Kaji reaches out to Tomomatsu Miwa (Naoki Hongo) of the Miwa Clan for support in convincing Sakuragi. On the day of Kanamori's release, it is Kaji, not Sakuragi, who comes to greet him. Witnessing this, Kanamori’s reaction is…

Provided the world ends tomorrow, what would we want in the last day of grace? A beam of light embraces a woman and a man then, the world gently closes its eyes.