Wreck and Bokken

A young boy’s infatuation with flight is the subject of Vláčil’s poetic, prize-winning early short, made for the Czechoslovak Army’s film unit.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Unexpectedly evicted from his house, Erki faces a rather difficult task to take care of his lonely mother. He’s forced to agree to become a corpse carrier.

A debate arises between Jesus Christ and a beautiful nun about her nightlife and whether the scriptures address any punishment for her sins.

Renowned oceanographer Steve Zissou has sworn vengeance upon the rare shark that devoured a member of his crew. In addition to his regular team, he is joined on his boat by Ned, a man who believes Zissou to be his father, and Jane, a journalist pregnant by a married man. They travel the sea, all too often running into pirates and, perhaps more traumatically, various figures from Zissou's past, including his estranged wife, Eleanor.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

Nick Naylor is a charismatic spin-doctor for Big Tobacco who'll fight to protect America's right to smoke -- even if it kills him -- while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick's powers of "filtering the truth" will be put to the test.

Struggling with the harsh realities that arise in the cusp of adulthood, a young woman is shown a new perspective on life by two unlikely strangers during a night of spontaneous adventure.

Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.

This film, which is in the genre of psychological drama, tells the story of an artist who is shaken by the changes in life.

West Germany, Christmas Eve, 1971. 7-year-old Kimîa captures her family’s celebration through the lens of her Super 8 camera. But the mood changes when her mother, Hanna, discovers her husband’s plans.

Two ambulance paramedics put their lives on the line when a routine call becomes a deadly race against time.

This Crime Does Not Pay entry focuses on fake spiritualists. A mother is worried about her son, who is missing in action. Over time, she gives a con man all of the family savings to find reassurance that her son is all right. When she can no longer pay, events take a tragic turn.

On a Saturday night in the "City of Love", two sworn enemies are united in their hatred for someone they despise even more than each other: a gay man.

After swimming class, two 12-year-old boys, Jules and Noam, chat and discover that their grandfathers fought in World War II. One, a German soldier; the other, a Jew.

It's the morning after - and four is a crowd. Couple Samantha and Peter negotiate a thoroughly modern and thoroughly awkward situation.

Stuck in his endless loneliness, a man wanders in a post-apocalyptic world... Only to discover he is not alone.

“In This Moment” follows Love, a trans woman navigating the complexities of polyamory and self-discovery in a world that often challenges her right to exist. As she unravels what it means to be truly seen and cherished, she confronts the ways love manifests—fluid, unpredictable, and boundless, much like the ocean itself. This story is a testament to resilience, intimacy, and the ever-shifting tides of identity and belonging.