Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
When his credit card doesn't work, the biggest problem for a middle class man is finding enough change to buy a sandwich on sale.
Isolation and loneliness converge on an unexpected journey when intrigue and new come to town.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!
Three activists cobble together a kidnapping plot after they encounter a businessman in his home.
Separate We Come, Separate We Go is the story of a 10-year-old girl, Thea who escapes her bleak domestic life to find sanctuary in the surreal desert landscape of Dungeness. Roaming around the barren skeletons of boats and abandoned fishing huts, she is increasingly aware of her loneliness and vulnerability. Seemingly out of nowhere a man (David Thewlis) appears; she is so intrigued by him she defies all lessons taught about strangers and approaches him. As they walk and talk she discovers he is a widower and has lost his son; she realises she is not alone in experiencing loss. He notices her sadness and unusual maturity and decides to help lift her out of her melancholy. Through the metaphor of the freedom of flying birds, he shows her that life does have exciting possibilities. This redemptive story shows that in life you should not allow fear to limit your horizons.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.
Mike, a young hired hand in California is working a small farm with a close friend, Dan. Mike is content on the farm and obviously attracted to the handsome Dan. Dan seems to be attracted to Mike as well but is a drifter and not happy as a farmer. He longs to finish out the contract and move on to a big city, perhaps with Mike. Gary, a boy from the next farm over, befriends them during their daily chores. When an innocent session of skinny-dipping is misconstrued, the young hired hands soon find themselves unjustly suspected of wrongdoing in a suddenly hostile small town.
Two men meet in a florist shop. Their talk will bring them through the city of San Sebastian and through their memories.
In the dog days of summer, two sisters and their mother move into a concrete tower surrounded by farmland as far as the eye can see. Twelve-year-old Violette innocently concentrates her budding desires on Franklin, while Isa, her older sister, staves off her sadness with short-lived romances.
13-year-old Rafael Bregman prepares for his bar mitzvah in the Jewish community of Montevideo, Uruguay.
After being 'talent scouted' outside of an ice cream store, teen cousins Jess and Stella find themselves enslaved in the illicit world of sex trafficking.
The Good Teacher is a film about the lives of school teachers in a low-income urban area and the challenges they face while trying to provide a quality education to students. Dominique Daily is a first year school teacher who gives up his football career after an injury to teach Math at Louis Jones high school while struggling to cope with his short-lived life long dream of being a football star.
'Intended Parents' is a short film about a Black millennial couple, seeking to expand their family through surrogacy. With one partner identifying as a transgender woman, the couple (Alexandra Grey as "Robyn" and Lawrence Locke as "Anthony") find themselves continously educating or being imprisoned by outdated traditions and opinions from loved ones. While the film explores the intersections of love, gender, surrogacy, acceptance, and desperation; the powerful couple aims to deflate multiple negative stigmas as they prepare for the life-alternating roller coaster of fertility and surrogacy.
Dealing with his customers with open heart, a car mechanic named Života goes through many adventures. Some are funny, some are sad, some reveal beauty and other human misery. In the end he gets tangled up himself, and not without bitterness he tries to change his ways, to become like his rival across the street which has adapted to modern times: strictly business. But, people who come to him need him just the way he is.
Teenagers living in small-town Oregon take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they're forced to deal with the unexpected consequences of their actions.
Chen Hao-Zhi lives alone with his Grandmother who has Alzheimers and has suffered from a stroke. In order to pay the bills and his grandmother's medical expenses, he goes to work in a gay massage parlor. At first, it was just work...but Hao-Zhi soon finds that he is attracted to some of his clientele, and gets pulled into a world where he loses control of things he thought he could handle.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?