Svengali

In the Jacobite Rising of 1745, the Young Pretender Bonnie Prince Charlie leads an insurrection to overthrow the Protestant House of Hanover and restore his family, the Catholic branch of the House of Stuart, to the British throne.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

A man becomes a bookie after losing his job as a day trader.

After discovering his wife's infidelities, Gerry leaves London to look after his deceased brother's business and family in Singapore. Discovering a foreign world of opportunity that had not existed before gives Gerry a chance at starting over by slipping into his brother's life - both emotionally and physically. However, leaving his wife and child behind in the UK is not so easy as Gerry must choose between becoming his brother's alter ego 'Mister John' or returning to London to face his failing relationship.

Three siblings ingeniously avoid being sent off to a children's home while their solo-mother serves a short sentence in a prison for shoplifting. Rather than have the news leak out and have to be escorted off with the eccentric welfare officer, they invent a 'never present' dad who is looking after them.

After the death of her mother, Anne makes a shocking discovery: an old photograph casts doubt on her origins and leads her to discover a mysterious uncle who lived with her parents after the war. As she lifts the lid on a long forgotten family secret, the young woman learns that her mother once succumbed to an amorous passion that was as intense as it was short-lived...

Anna, 50 years old, moves into her new house. Rooms are full of boxes which contain a lot of things and plenty of memories. Anna has lived many lives and her past comes out of these boxes. Her parents surely, but also her children and their fathers, the living and the dead. In this breakneck period of her life, time is running faster and faster and Anna takes a run-up to face the past and try to go towards the future. And, maybe, to manage to still believe in love?

An aging Hong Kong couple move to Australia with their two youngest sons. They stay with a daughter who has already begun a successful career. Meanwhile their eldest daughter lives in Germany and their eldest son remains in Hong Kong. The film explores the different ways the family members cope with isolation and alienation.

In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.

Norm, an aimless writer, witnesses the murder of rock video star Madelaine X and feels guilty, as he did nothing to prevent it. At Madelaine’s funeral, he meets a mysterious woman in black with unexplained connections to the deceased singer.

A Greek-Irish sailor becomes friends with a 10-year-old sampan girl while his freighter is docked in Hong Kong.

A passionate and unpredictable film about three characters in love, Les Sauf-conduits explores the tenuous balance between friendship and romantic love. When three friends set out to break the world’s egg-tossing record, their relationships become increasingly entangled and complicated. In her arresting first film, director Manon Briand crafts poetic images that are striking, fresh and occasionally quirky, and elicits uncannily natural performances from her actors. Les Sauf-conduits garnered several awards on the festival circuit, including the award for Best Canadian Short Film at the 1992 Festival of Festivals (now the Toronto International Film Festival®) and Golden Sheaf Awards for Best Director and Best Film at the Yorkton Film Festival.

A poetic road trip through Pulitzer prize-winning CK Williams' life over the course of 40 years.

Behind the scenes of a porn shoot, the actors are practicing various positions. The rumour is that one of the girls is doing a double anal, an advanced routine that requires someone extremely tough. A startling film about workplace intrigue, set at a decidedly different place of work.

When a free-spirited girl befriends a young teenager, they leave childhood behind to embrace a dangerous world of clubbing and sex with strange men.

Claire returns to France following the death of her actress friend Agathe. She attends an auction of her friend's possessions, provoking memories of the past.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

Seventeen talented Australian directors from diverse artistic disciplines each create a chapter of the hauntingly beautiful novel by multi award-winning author Tim Winton. The linking and overlapping stories explore the extraordinary turning points in ordinary people’s lives in a stunning portrait of a small coastal community. As characters face second thoughts and regret, relationships irretrievably alter, resolves are made or broken, and lives change direction forever.

Since she was three months old, Yasmeen has been living with a foster family. Seventeen years have passed by and unbreakable bonds of love have formed between her and her parents and siblings. When Yasmeen is about to be adopted and officially recognised as a member of the family, a woman starts hassling her, claiming to be her mother.

Sarah, an actress nearing her forties, has invited 3 friends to join her for a holiday in Provence. This is the prologue for what happened a year ago in Paris with a man Sarah had long considered a platonic friend. She had just finished a film, had also finished her relationship with the director and was about to receive an award…