A documentary that explores the challenges that a life in music can bring.
Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.
More than two-dozen music-videos directed by filmmaker Mark Romanek (One-Hour Photo) are collected together in this compilation from Palm Pictures. Among the songs featured in The Work of Director Mark Romanek are "Novocaine for the Soul" by Eels, "99 Problems" by Jay-Z, and "Hurt" by Johnny Cash.
Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).
Following the release of Bérurier Noir's album "Concerto pour détraqués" on the Bondage label in 1985, the French punk scene began to organize itself and attract media attention. Following Bondage's example, François Hadji Lazaro founded the Boucherie Production label. The departure of bands to major companies, Bérurier Noir's lawsuit against its label Bondage, and above all the breakup of the band marked the end of an era.
Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
Queen Elizabeth I visits late 1970s England to find a depressing landscape where life has changed since her time.
Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.
Another State of Mind is a documentary film made in the summer of 1982 chronicling the adventure (and misadventure) of two punk bands – Social Distortion and Youth Brigade – as they embark on their first international tour. Along the way they meet up with another progressive punk band, Minor Threat, whom they hang out with at the Dischord house for about a week near the end of their ill-fated tour.
A filmmaker tries to finish editing a movie about all-girl rock band Runaways.
Covers the history of the long running All Tomorrow's Parties music festival, utilizing footage generated by the fans and musicians attending the events themselves, on a multitude of formats including Super8, camcorder and mobile phone.
Greatest Video Hits 1 was the first Queen video collection on DVD. Most of the content was released previously on the VHS cassette Greatest Flix in 1981. It was released in October 2002, and included video hits of the band between 1973 and 1981. There is also a Greatest Video Hits 2. The DVD peaked at number one in UK, with sales of more than 90,000 copies. It was also the best selling DVD of the year in 2002. It was also number one in USA (platinum), Germany (gold), Spain and other countries. It was also 4 times platinum in Australia, 3 times platinum in Canada, platinum in Poland, and other places.
A documentary about the punk band Lagwagon. Includes interviews and live songs.
David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes in Toyland, The Ramones and Gumball.
On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.
The disc eschews their early bubblegum phase in favor of the hits from 2000's "No Strings Attached" and 2001's "Celebrity"--"Bye Bye Bye," "It's Gonna Be Me," the relentlessly catchy "Pop," and "This I Promise You" (which is also presented in an unreleased Spanish-language version).
Documentary tracing the existence of noted rock band Pavement from 1989 to their final performance in late 1999. The first hour is the history of the band, the last 20 minutes is uninterrupted footage of the band’s final encore.